A work in constant progress (and occasional regress).
Boom Operator:
2016 The Ticket
Post Production Supervisor:
2016 The Ticket
2020 The Letter Room
Producer:
2016 The Ticket
2019 Off Season
2020 The Letter Room
2023 Night Shift
Production Sound Mixer:
2016 The Ticket
2017 Person to Person
2018 Madeline's Madeline
2019 Off Season
2020 The Letter Room
2023 Night Shift
2024 A Different Man
Sound Mixer:
2016 The Ticket
2017 Person to Person
2018 Madeline's Madeline
2019 Off Season
2020 The Letter Room
2021 The God Committee
2022 Topside
2023 Down Low
2023 Night Shift
2024 A Different Man
2024 Asphalt City
2024 Hustle Mode
2024 The Front Room
2025 Eleanor the Great
2025 One Stupid Thing
2025 Rosemead
Utility Sound:
2016 The Ticket
2017 Person to Person
2018 Madeline's Madeline
2019 Off Season
2020 The Letter Room
2021 The God Committee
2022 Goodnight Mommy
2022 Topside
2023 Down Low
2023 Night Shift
2024 A Different Man
2024 Asphalt City
2024 Hustle Mode
2024 The Front Room
2025 Eleanor the Great
2025 One Stupid Thing
2025 Rosemead
Director of Photography:
2015 OM CITY
Sound Mixer:
2004 Project Runway
2015 OM CITY
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.