Michaela McAllister

Alias:
Michaela Chernoch

Michaela Chernoch McAllister is an American stunt performer and actress. A former collegiate gymnast, McAllister's athletic background laid a strong foundation for her transition into the demanding world of stunt work.  McAllister initially pursued a career in elementary education after graduating from Southern Utah University in 2014, where she was an all-conference gymnast for the Flippin' Birds. However, her passion for performance and physical challenges led her to Hollywood, where she quickly established herself as a formidable stunt professional. Her early work included doubling for stars such as Will Smith in Bright and Billy Bob Thornton in Goliath. Notably, she performed stunts for Scarlett Johansson and Florence Pugh in Black Widow (2021), and Mikey Madison in Once Upon a Time... in Hollywood (2019), where she endured intense sequences, including being "wrecked by Brad Pitt and set on fire by Leonardo DiCaprio".  McAllister's exceptional skills have earned her significant recognition in the industry. She won three Taurus World Stunt Awards for her work in Once Upon a Time... in Hollywood. She received a nomination for her contributions to Black Widow. Additionally, she was part of the stunt ensembles that secured Screen Actors Guild Awards for Outstanding Action Performance in both films.

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Stunt Coordinator:
2012  Studio C

Stunt Double:
2012  Studio C
2016  Goliath
2017  Extinct
2018  The Outpost
2019  Dwight in Shining Armor
2019  For All Mankind
2021  Hawkeye
2021  NCIS: Hawai'i

Stunts:
2012  Studio C
2016  Goliath
2016  Speechless
2017  Extinct
2017  The Mick
2018  The Outpost
2019  Dwight in Shining Armor
2019  For All Mankind
2021  Hawkeye
2021  NCIS: Hawai'i

Utility Stunts:
2012  Studio C
2016  Goliath
2016  Speechless
2017  Extinct
2017  The Mick
2018  The Outpost
2019  Dwight in Shining Armor
2019  For All Mankind
2021  Hawkeye
2021  NCIS: Hawai'i
2023  American Born Chinese

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.