A work in constant progress (and occasional regress).
Alias:
Courtney Moorehead
Courtney Moorehead Balaker is an award-winning filmmaker, theatre director, and co-founder of Korchula Productions. Courtney wrote, directed, and produced Little Pink House, an award-winning Korchula Productions feature film about Susette Kelo’s historic fight to save her home and neighborhood. The film stars two-time Academy Award nominee Catherine Keener (Get Out, Being John Malkovich, The 40-Year-Old Virgin) and Emmy nominee Jeanne Tripplehorn (Big Love, The Firm, Grey Gardens). The film has been lauded by the likes of The Hollywood Reporter (“The bottom line—it hits a nerve”) and Deadline Hollywood (“Keener nails the combination of anger, grace, and attitude that made Kelo a nationally known crusader”). It has won a variety of awards including the HBO Audience Award at the Provincetown International Film Festival and the Vail Film Festival Audience Award. Courtney’s script was selected as a finalist for the Athena List, which recognizes the best screenplays with strong female protagonists. Courtney’s feature film production credits include The Collector (Josh Stewart), American Pie Presents the Naked Mile (Eugene Levy), and Pulse (Kristen Bell, Ian Somerhalder). She produced Can We Take a Joke?, a Korchula Productions documentary featuring comedians such as Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Jim Norton. The film has been lauded by The Hollywood Reporter, The Los Angeles Times, and comedy icon Seth MacFarlane, among others. Courtney served as a producer on America in Primetime, an award-winning four-hour PBS documentary series that examines the creative process behind primetime’s most iconic and groundbreaking shows. The series features interviews with Ron Howard, James L. Brooks, Sarah Jessica Parker, Larry David, Norman Lear, Alec Baldwin, David Lynch, Jon Hamm, Danny DeVito, Mary Tyler Moore, and Dick Van Dyke, among others. Courtney began her film career at Neo Art & Logic, a feature film production company with an overall deal with Dimension Films where she developed new screenplays and went on to serve as Vice President of Development. Neo’s credits include He Was A Quiet Man (Christian Slater, William H. Macy), Dracula 2000 (Gerard Butler, Nathan Fillion), and The Prophecy (Christopher Walken). Courtney spent five years in New York City directing Off-Broadway plays. She specialized in contemporary plays with established actors, and her credits include the New York revival of Austin Pendleton's Uncle Bob starring George Morfogen of HBO’s Oz and Joseph Gordon-Levitt, who went on to star in films such as Inception and The Dark Knight Rises. “The play has dramatic crackle,” writes Bruce Weber of The New York Times. Other reviewers call it “as funny as it is vicious” (The New York Daily News), and “a wonderful experience energized by powerful performances and taut direction” (The New York Post). Courtney holds a bachelor’s degree in psychology from the University of Colorado at Denver and a master’s degree in theatre directing from the Royal Academy of Dramatic Art and King’s College London
Co-Producer:
2009 The Collector
Director:
2008 Cute Couple
2009 The Collector
2018 Little Pink House
Producer:
2008 Cute Couple
2009 The Collector
2016 Can We Take a Joke?
2018 Little Pink House
2024 The Coddling of the American Mind
Production Executive:
2005 Feast
2006 Pulse
2008 Cute Couple
2009 The Collector
2016 Can We Take a Joke?
2018 Little Pink House
2024 The Coddling of the American Mind
Writer:
2005 Feast
2006 Pulse
2008 Cute Couple
2009 The Collector
2016 Can We Take a Joke?
2018 Little Pink House
2024 The Coddling of the American Mind
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.