A work in constant progress (and occasional regress).
Alias:
Pedro Collantes de Terán Bayonas
Pedro Collantes is a screenwriter, director, editor and producer. He studied cinema and specialized in editing in Madrid and later studied an MA at the Netherlands Film Academy. Since 2018 he’s a member of the OSCARS Academy (Academy of Motion Picture Arts & Sciences) and of the French Académie des Arts et Techniques du Cinéma since 2020. His short films have screened in international film festivals, including IFFR Rotterdam, Chicago Int. Film Festival, Encounters, or Festival des Filmes du Monde de Montréal. His work has received awards at Clermont Ferrand, Festival de Cine Español de Málaga, ALCINE, Palm Springs and Cinespaña-Toulouse, among others. In 2018 he wrote and directed the short film “ATO SAN NEN”, official selection for the CÉSAR 2019 award for best fiction short film. “EL ARTE DE VOLVER” (2020), the first Spanish project selected in the Biennale College Cinema program, is his first feature film as a screenwriter and director. It premiered at the 2020 VENICE Film Festival. As a producer he received a GOYA nomination in 2020 for the animated short MUEDRA, directed by César Díaz. As an editor he has over twenty credits. Some examples are the series 800 Meters (Netflix, 2021) Antidisturbios (Movistar +, 2020), the documentary series The Alcàsser Murders (Netflix, 2019) and Héroes Invisibles (TVE, 2016-2017), or the documentary feature film Shadow World (2016).
Additional Editing:
2023 Lava
Co-Producer:
2017 Ato San Nen
2023 Lava
2023 Nights Gone By
Director:
2011 15 Summers Later
2014 Serori
2017 Ato San Nen
2017 Off Ice
2020 The Art of Return
2023 Lava
2023 Nights Gone By
???? Eskiper
???? Nothing Stranger
Editor:
2011 15 Summers Later
2014 Serori
2015 May 9th
2016 Shadow World
2017 Ato San Nen
2017 Off Ice
2019 Black Bass
2019 The Chuck Band Show
2020 The Art of Return
2022 Ponto Final
2023 Lava
2023 Nights Gone By
2023 The Last Night of Sandra M.
2024 Birth
2025 La mitad de Ana
???? Eskiper
???? Nothing Stranger
Producer:
2011 15 Summers Later
2014 Serori
2015 May 9th
2016 Shadow World
2017 Ato San Nen
2017 Off Ice
2019 Black Bass
2019 Muedra
2019 The Chuck Band Show
2020 The Art of Return
2022 Ponto Final
2023 Lava
2023 Nights Gone By
2023 The Last Night of Sandra M.
2024 Birth
2025 La mitad de Ana
???? Eskiper
???? Nothing Stranger
Screenplay:
2011 15 Summers Later
2014 Serori
2015 May 9th
2016 Shadow World
2017 Ato San Nen
2017 Off Ice
2019 Black Bass
2019 Muedra
2019 The Chuck Band Show
2020 The Art of Return
2022 Ponto Final
2023 Lava
2023 Nights Gone By
2023 The Last Night of Sandra M.
2024 Birth
2025 La mitad de Ana
???? Eskiper
???? Nothing Stranger
Writer:
2011 15 Summers Later
2014 Serori
2015 May 9th
2016 Shadow World
2017 Ato San Nen
2017 Off Ice
2019 Black Bass
2019 Muedra
2019 The Chuck Band Show
2020 The Art of Return
2022 Ponto Final
2023 Lava
2023 Nights Gone By
2023 The Last Night of Sandra M.
2024 Birth
2025 La mitad de Ana
???? Eskiper
???? Nothing Stranger
Editor:
2019 The Alcàsser Murders
2020 Riot Police
2022 800 Meters
2022 The Gypsy Bride
2023 La red púrpura
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.