A work in constant progress (and occasional regress).
Alias:
Sparks
Birthplace:
San Jose, California, USA
Born:
July 23, 1966
Dean Menta (born July 23 1966) is an American music editor and composer living in Los Angeles, California. In 1995, Dean Menta became involved in the band DUH and appeared on their second album The Unholy Handjob. Menta went on to serve as the guitarist for the rock band Faith No More from 1995 to 1996. He had been a keyboard tech for the band, first meeting them in 1991, while working at a San Francisco art gallery. Menta was recruited to handle guitar duties after Trey Spruance declined to tour for the album King for a Day... Fool for a Lifetime. He appears in their videos for "Digging the Grave", "Ricochet" and "Evidence". He was replaced as Faith No More guitarist by Jon Hudson. Since leaving Faith No More, Menta has been performing and recording with pop group Sparks. He has contributed to Sparks' albums: Plagiarism (1997) Lil' Beethoven (2002) Hello Young Lovers (2006) Exotic Creatures of the Deep (2008), The Seduction of Ingmar Bergman (2009) and Hippopotamus (2017). Menta now works primarily in television and film as a Music Editor, composer and Sound Designer. Additionally, Menta has also composed music for several video games, one of which, Jak X: Combat Racing, was in collaboration with Billy Howerdel of A Perfect Circle. Source: Article "Dean Menta" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Music Editor:
2007 Heavy Petting
2007 I'm Reed Fish
2020 Spontaneous
2022 Everything Everywhere All at Once
Scoring Mixer:
2007 Heavy Petting
2007 I'm Reed Fish
2020 Spontaneous
2022 Everything Everywhere All at Once
Music Editor:
2019 On Becoming a God in Central Florida
2024 Doctor Odyssey
2024 Presumed Innocent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.