A work in constant progress (and occasional regress).
Assistant Camera:
1972 Forbidden Love
1972 La liga no es cosa de hombres
1972 My Dearest Senorita
Camera Operator:
1970 Twenty Paces to Death
1970 White Skin Market
1972 Forbidden Love
1972 La liga no es cosa de hombres
1972 My Dearest Senorita
1975 ¡Jo, papá!
1976 Death of the Scorpion
1976 The Burned City
1978 L’orgia
1978 Ocaña: An Intermittent Portrait
1979 ...And Give Us Our Daily Sex
1980 Girl with the Golden Panties
1980 La campanada
1980 The Truth on the Savolta Affair
1981 The Victor of Olot
Cinematography:
1970 Twenty Paces to Death
1970 White Skin Market
1972 Forbidden Love
1972 La liga no es cosa de hombres
1972 My Dearest Senorita
1975 ¡Jo, papá!
1976 Death of the Scorpion
1976 The Burned City
1978 L’orgia
1978 Ocaña: An Intermittent Portrait
1979 ...And Give Us Our Daily Sex
1980 Girl with the Golden Panties
1980 La campanada
1980 The Truth on the Savolta Affair
1981 La quinta del porro
1981 The Victor of Olot
1985 Scapegoat
1996 Escenes d’una orgia a Formentera
2011 A Thousand Fools
Director:
1970 Twenty Paces to Death
1970 White Skin Market
1972 Forbidden Love
1972 La liga no es cosa de hombres
1972 My Dearest Senorita
1975 ¡Jo, papá!
1976 Death of the Scorpion
1976 The Burned City
1978 L’orgia
1978 Ocaña: An Intermittent Portrait
1979 ...And Give Us Our Daily Sex
1980 Girl with the Golden Panties
1980 La campanada
1980 The Truth on the Savolta Affair
1981 La quinta del porro
1981 The Battle of Reefer
1981 The Victor of Olot
1985 Scapegoat
1996 Escenes d’una orgia a Formentera
2011 A Thousand Fools
Director of Photography:
1970 Twenty Paces to Death
1970 White Skin Market
1972 Forbidden Love
1972 La liga no es cosa de hombres
1972 My Dearest Senorita
1975 ¡Jo, papá!
1976 Death of the Scorpion
1976 The Burned City
1978 L’orgia
1978 Ocaña: An Intermittent Portrait
1979 ...And Give Us Our Daily Sex
1980 Girl with the Golden Panties
1980 La campanada
1980 The Truth on the Savolta Affair
1981 La quinta del porro
1981 The Battle of Reefer
1981 The Victor of Olot
1985 Scapegoat
1996 Escenes d’una orgia a Formentera
2011 A Thousand Fools
Second Assistant Camera:
1970 Twenty Paces to Death
1970 White Skin Market
1972 Forbidden Love
1972 La liga no es cosa de hombres
1972 My Dearest Senorita
1972 The Little Triangle
1975 ¡Jo, papá!
1976 Death of the Scorpion
1976 The Burned City
1978 L’orgia
1978 Ocaña: An Intermittent Portrait
1979 ...And Give Us Our Daily Sex
1980 Girl with the Golden Panties
1980 La campanada
1980 The Truth on the Savolta Affair
1981 La quinta del porro
1981 The Battle of Reefer
1981 The Victor of Olot
1985 Scapegoat
1996 Escenes d’una orgia a Formentera
2011 A Thousand Fools
Writer:
1970 Twenty Paces to Death
1970 White Skin Market
1972 Forbidden Love
1972 La liga no es cosa de hombres
1972 My Dearest Senorita
1972 The Little Triangle
1975 ¡Jo, papá!
1976 Death of the Scorpion
1976 The Burned City
1978 L’orgia
1978 Ocaña: An Intermittent Portrait
1979 ...And Give Us Our Daily Sex
1980 Girl with the Golden Panties
1980 La campanada
1980 The Truth on the Savolta Affair
1981 La quinta del porro
1981 The Battle of Reefer
1981 The Victor of Olot
1985 Scapegoat
1996 Escenes d’una orgia a Formentera
2011 A Thousand Fools
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.