A work in constant progress (and occasional regress).
Art Designer:
1978 Con mi mujer no puedo
Art Direction:
1975 The days that you gave me
1978 Con mi mujer no puedo
1979 Las muñecas que hacen ¡pum!
1979 Vivir con alegría
1987 Las esclavas
1987 The Monster Kills in the Mansion of Terror
Editor:
1972 Olga, la hija de aquella princesa rusa
1975 The days that you gave me
1978 Con mi mujer no puedo
1979 Las muñecas que hacen ¡pum!
1979 Vivir con alegría
1987 Las esclavas
1987 The Monster Kills in the Mansion of Terror
Production Design:
1972 Olga, la hija de aquella princesa rusa
1975 The days that you gave me
1976 La guerra de los sostenes
1978 Amigos para la aventura
1978 Con mi mujer no puedo
1979 Las locuras del profesor
1979 Las muñecas que hacen ¡pum!
1979 Vivir con alegría
1980 La noche viene movida
1980 Locos por la música
1981 Cosa De Locos
1985 High Class Affair
1985 La búsqueda
1986 Seguridad personal
1987 Catch the Heat
1987 Las esclavas
1987 The Monster Kills in the Mansion of Terror
1989 Part-Time Lifeguards II: The Crazy Beach
1989 The Extermineitors
1989 The Girlfriend
Set Decoration:
1972 Olga, la hija de aquella princesa rusa
1974 Natasha
1975 The days that you gave me
1976 La guerra de los sostenes
1978 Amigos para la aventura
1978 Con mi mujer no puedo
1979 Las locuras del profesor
1979 Las muñecas que hacen ¡pum!
1979 Vivir con alegría
1980 La noche viene movida
1980 Locos por la música
1981 Cosa De Locos
1985 High Class Affair
1985 La búsqueda
1986 Seguridad personal
1987 Catch the Heat
1987 Las esclavas
1987 The Monster Kills in the Mansion of Terror
1989 Part-Time Lifeguards II: The Crazy Beach
1989 The Extermineitors
1989 The Girlfriend
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.