A work in constant progress (and occasional regress).
Birthplace:
The Bronx, New York City, New York, USA
Born:
April 24, 1955
Coke La Rock (aka Coco La Rock; born April 24, 1955) is an American rapper from New York City who is sometimes credited as being the first MC in the history of hip-hop. In 2010, he was inducted into the High Times Counterculture Hall of Fame[6] at the annual ceremonies at the Cannabis Cup in Amsterdam. La Rock was born in The Bronx, New York City on April 24, 1955, with family roots going back to North Carolina. Coke La Rock was a friend and musical partner of DJ Kool Herc, who himself is generally considered to have laid down the foundation for hip-hop music starting in 1973. La Rock was an original member of Herc's MC crew, the Herculoids. According to Herc, Coke La Rock's MC name had various iterations, beginning as "A-1 Coke," and then moving on to "Nasty Coke" before it was finalized as "Coke La Rock". Coke La Rock joined Kool Herc for his first party, in 1973, to celebrate Herc's sister Cindy's birthday. It wasn't until about the fifth or sixth party that he took the name Coke La Rock. The name came to him in a dream. Before that time, he had no name and did his rapping out of sight from the audience, so no one knew who was doing the rapping. His original raps were usually shout-outs to friends, but gradually the poetry emerged.[9] He originated such phrases as "You rock and you don't stop," and "Hotel, motel, you don't tell, we won't tell"[citation needed] (which was immortalized on the first Sugarhill Gang single "Rapper's Delight", although La Rock received no credit). Coke La Rock's raps were always purely improvisational, unlike those of later 70s-era rap groups, —such as the Furious Five and Cold Crush Brothers, who wrote down and rehearsed their rhymes and created elaborate routines. According to La Rock, while rapping "at first I would just call out [my friends'] names. Then I pretended dudes had double-parked cars; that was to impress the girls. Truthfully, I wasn’t there to rap, I was just playing around." Nonetheless, La Rock's raps would, as with much else at Kool Herc's parties in the mid-1970s, serve as a basic model for other hip-hop artists that would come onto the Bronx music scene by the end of the decade. La Rock himself has argued, in a reference to two pioneering New York City narcotics dealers, that "me and Herc were to hip-hop what Nicky Barnes and Frank Lucas were to drugs."
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.