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Bryan Tan

Biography from TheMovieDB

Bryan is an Atlanta based writer and director. He strives to create narrative films with driving focus and deep humanity.  Bryan grew up in the suburbs of Atlanta. He began filmmaking when he was just twelve years old when, after winning a school science fair, he purchased his first video camera with the prize money. For Bryan, from that first frame onward, the joy of creation has never lost its luster. In Fall, 2014, he graduated from the Savannah College of Art and Design with a BFA in Film and Television.

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Additional information:

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Film Performances

  • 2015  Static
    Man on Porch (voice)

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Film Production

Cinematography:
2014  Hominid
2015  Static
2015  The Balkan State
2021  I'm Still Here
2023  Maggie and the Monster

Co-Producer:
2014  Hominid
2015  Static
2015  The Balkan State
2020  Man Out Of Time
2021  I'm Still Here
2023  Maggie and the Monster

Director:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  July Fourth
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Maggie and the Monster
2023  She Watches Blindly

Director of Photography:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  July Fourth
2017  Dead Janitor
2017  Tethers
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Maggie and the Monster
2023  She Watches Blindly

Editor:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  July Fourth
2017  Dead Janitor
2017  Tethers
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Maggie and the Monster
2023  She Watches Blindly

First Assistant Camera:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  July Fourth
2017  Dead Janitor
2017  Tethers
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Chipper
2023  Maggie and the Monster
2023  She Watches Blindly

Gaffer:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  July Fourth
2017  Dead Janitor
2017  Ends
2017  Tethers
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Chipper
2023  Maggie and the Monster
2023  She Watches Blindly

Key Grip:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  At Ease
2016  July Fourth
2017  Dead Janitor
2017  Ends
2017  Tethers
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Chipper
2023  Maggie and the Monster
2023  She Watches Blindly

Producer:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  At Ease
2016  July Fourth
2017  Dead Janitor
2017  Ends
2017  Tethers
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Chipper
2023  Maggie and the Monster
2023  She Watches Blindly

Production Design:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  At Ease
2016  July Fourth
2017  Dead Janitor
2017  Ends
2017  Tethers
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Chipper
2023  Maggie and the Monster
2023  She Watches Blindly

Writer:
2014  Hominid
2015  Anomie
2015  Guilt
2015  Static
2015  The Balkan State
2016  At Ease
2016  July Fourth
2017  Dead Janitor
2017  Ends
2017  Tethers
2018  The Emissary
2020  Man Out Of Time
2021  I'm Still Here
2023  Chipper
2023  Maggie and the Monster
2023  She Watches Blindly

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.