A work in constant progress (and occasional regress).
Boom Operator:
2019 Todo por el ascenso
Music:
2019 Fragments of an Unknown Friend
2019 Todo por el ascenso
2021 Pibas del viento
Sound:
2009 Arroz con leche
2013 Cursed Bastards!
2015 El dorado de Ford
2016 El (im)posible olvido
2019 Fragments of an Unknown Friend
2019 Todo por el ascenso
2021 Noh
2021 Pibas del viento
2022 El campo luminoso
2023 El silencio de los hombres
2023 The Castle
2023 The Eucalyptus
2024 La Odisea de Kamatsu
2024 La tara
2025 Charcas 2837, Inventory of Eurindia
2025 I Don’t Want to See the Sun, I Want to See the Sun
Sound Assistant:
2009 Arroz con leche
2010 Psiquiatra último modelo
2013 Cursed Bastards!
2015 El dorado de Ford
2016 El (im)posible olvido
2018 Theatre of War
2019 Fragments of an Unknown Friend
2019 Todo por el ascenso
2021 Noh
2021 Pibas del viento
2022 El campo luminoso
2023 El silencio de los hombres
2023 The Castle
2023 The Eucalyptus
2024 La Odisea de Kamatsu
2024 La tara
2025 Charcas 2837, Inventory of Eurindia
2025 I Don’t Want to See the Sun, I Want to See the Sun
Sound Designer:
2009 Arroz con leche
2010 Psiquiatra último modelo
2013 Cursed Bastards!
2015 El dorado de Ford
2016 El (im)posible olvido
2018 Theatre of War
2019 Endless Letterpress
2019 Fragments of an Unknown Friend
2019 Todo por el ascenso
2021 Noh
2021 Pibas del viento
2022 El campo luminoso
2022 El malestar
2023 El silencio de los hombres
2023 The Castle
2023 The Eucalyptus
2024 La Odisea de Kamatsu
2024 La tara
2025 Charcas 2837, Inventory of Eurindia
2025 I Don’t Want to See the Sun, I Want to See the Sun
Sound Director:
2009 Arroz con leche
2010 Psiquiatra último modelo
2012 Cirquera
2013 Cursed Bastards!
2015 El dorado de Ford
2016 El (im)posible olvido
2018 Theatre of War
2019 Endless Letterpress
2019 Fragments of an Unknown Friend
2019 Todo por el ascenso
2020 Toxic
2021 Las chicas de tía
2021 Noh
2021 Pibas del viento
2022 El campo luminoso
2022 El malestar
2023 El silencio de los hombres
2023 The Castle
2023 The Eucalyptus
2024 La Odisea de Kamatsu
2024 La tara
2025 Charcas 2837, Inventory of Eurindia
2025 I Don’t Want to See the Sun, I Want to See the Sun
Sound Post Production Coordinator:
2009 Arroz con leche
2010 Psiquiatra último modelo
2012 Cirquera
2013 Cursed Bastards!
2015 El dorado de Ford
2016 El (im)posible olvido
2018 Theatre of War
2019 Endless Letterpress
2019 Fragments of an Unknown Friend
2019 Todo por el ascenso
2020 Toxic
2021 Las chicas de tía
2021 Noh
2021 Pibas del viento
2022 El campo luminoso
2022 El malestar
2022 El oficio de buscar a Inés
2023 El silencio de los hombres
2023 The Castle
2023 The Eucalyptus
2024 La Odisea de Kamatsu
2024 La tara
2025 Charcas 2837, Inventory of Eurindia
2025 I Don’t Want to See the Sun, I Want to See the Sun
Sound Post Supervisor:
2008 Nadie inquietó más
2009 Arroz con leche
2010 Psiquiatra último modelo
2012 Cirquera
2013 Cursed Bastards!
2015 El dorado de Ford
2016 El (im)posible olvido
2018 Theatre of War
2019 Endless Letterpress
2019 Fragments of an Unknown Friend
2019 Todo por el ascenso
2020 Toxic
2021 Las chicas de tía
2021 Noh
2021 Pibas del viento
2022 El campo luminoso
2022 El malestar
2022 El oficio de buscar a Inés
2023 El silencio de los hombres
2023 The Castle
2023 The Eucalyptus
2024 La Odisea de Kamatsu
2024 La tara
2025 Charcas 2837, Inventory of Eurindia
2025 I Don’t Want to See the Sun, I Want to See the Sun
Sound Director:
2024 HERMES IAI y los 13: El robo de las manos de Perón
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.