Carlos Castillo

Birthplace:
Caracas, Venezuela

Carlos Castillo is, along with Diego Rísquez, one of the most important figures in Venezuelan avant-garde Super-8 cinema.

Additional information:

The Search Form


Art Direction:
1990  Tierna es la Noche

Cinematography:
1981  Sopa de pollo de mamá
1990  Tierna es la Noche

Director:
1976  Matinée 3:15
1977  Hecho en Venezuela
1978  Apropiación indebida
1978  El film más espectacular del siglo
1978  El hambre puede más o el perro biónico
1979  T.V.O.
1980  Esta película está que quema!
1980  Manos arriba!! Esto es un atraco
1980  Uno para todos y todo para todos…?!
1981  Ciudad vs. Arte
1981  Se alquila ciudad
1981  Sopa de pollo de mamá
1981  Transformaciones
1982  Intento de vuelo fallido
1990  50•90… era jugando
1990  Tierna es la Noche

Editor:
1976  Matinée 3:15
1977  Hecho en Venezuela
1978  Apropiación indebida
1978  El film más espectacular del siglo
1978  El hambre puede más o el perro biónico
1979  T.V.O.
1980  Esta película está que quema!
1980  Manos arriba!! Esto es un atraco
1980  Uno para todos y todo para todos…?!
1981  Ciudad vs. Arte
1981  Se alquila ciudad
1981  Sopa de pollo de mamá
1981  Transformaciones
1982  Intento de vuelo fallido
1990  50•90… era jugando
1990  Tierna es la Noche

Writer:
1976  Matinée 3:15
1977  Hecho en Venezuela
1978  Apropiación indebida
1978  El film más espectacular del siglo
1978  El hambre puede más o el perro biónico
1979  T.V.O.
1980  Esta película está que quema!
1980  Manos arriba!! Esto es un atraco
1980  Uno para todos y todo para todos…?!
1981  Ciudad vs. Arte
1981  Se alquila ciudad
1981  Sopa de pollo de mamá
1981  Transformaciones
1982  Intento de vuelo fallido
1990  50•90… era jugando
1990  Tierna es la Noche

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.