A work in constant progress (and occasional regress).
Birthplace:
Santa Iria de Azóia, Portugal
Born in Santa Iria de Azóia, in the outskirts of Lisbon, Portugal (November 1977). Completed a degree in Communication Sciences/Film at the Faculty of Social and Human Sciences, Nova University of Lisbon (FCSH/NOVA). Has directed two documentaries about Portuguese artists, produced by FCSH/NOVA’s Laboratory of Cinematographic Creation (LABCC) and funded by Calouste Gulbenkian Foundation: Fernando Calhau – Work in Progress (2001) and Out of the Nature of Things (2003), about the sculptor Carlos Nogueira. Attended the Gulbenkian Creativity and Artistic Creation Programme’s Filmmaking Course and Cinema Scriptwriting Course, both organized in association with The London Film School. Directed the short fiction film The Finger (2005) as part of the former, followed by the short fiction film Season (2007), produced by Raiva and financed by the Institute of Cinema and Audiovisual – ICA and by Radio and Television of Portugal – RTP. Has directed a documentary about another Portuguese artist, Pedro Calapez – Works of the Gaze (2009), for Midas Filmes. More recently, has directed Parisian Chronicle (2012), produced by Terratreme and financed by ICA/RTP, based on an episode in the life of the Portuguese composer Fernando Lopes-Graça. Has produced a video installation entitled Football Playground (2004), shown at the photographic exhibition «A City of Football», organized by the Photographic Archive of Lisbon during Euro 2004 and financed by the Lisbon City Council. Has also worked as director of photography, editor and assistant director in other films, collaborating with Manuel Mozos, Pedro Caldas, Susana Nobre and João Rosas, among others. Collaborates with FCSH/NOVA since 2008, as LABCC’s technical coordinator and as technical assistant to the UT Austin|Portugal Programme’s PhD in Digital Media. Is currently completing the documentary project Santa Iria, which is in post-production.
Additional Photography:
2014 Vida Activa
Assistant Director:
2013 Entrecampos
2014 Vida Activa
Cinematography:
2013 Entrecampos
2014 Vida Activa
2019 Understory
Director:
2003 Out of the Nature of Things
2007 Season
2010 Pedro Calapez: Trabalhos do Olhar
2011 Crónica Parisiense
2013 Entrecampos
2014 Vida Activa
2019 Understory
Director of Photography:
2003 Out of the Nature of Things
2007 Season
2009 Ruins
2010 Pedro Calapez: Trabalhos do Olhar
2011 Crónica Parisiense
2013 Entrecampos
2014 Vida Activa
2019 Understory
Editor:
2003 O que pode um rosto
2003 Out of the Nature of Things
2005 Estados da Matéria
2007 Season
2009 Ruins
2010 Lisbon-Province
2010 Pedro Calapez: Trabalhos do Olhar
2011 Crónica Parisiense
2013 Entrecampos
2014 Vida Activa
2015 Maria do Mar
2019 Suzanne Daveau
2019 Understory
Sound:
2003 O que pode um rosto
2003 Out of the Nature of Things
2005 Estados da Matéria
2007 Season
2009 Ruins
2010 Lisbon-Province
2010 Pedro Calapez: Trabalhos do Olhar
2011 Crónica Parisiense
2013 Entrecampos
2014 Vida Activa
2015 Maria do Mar
2019 Suzanne Daveau
2019 Understory
Writer:
2003 O que pode um rosto
2003 Out of the Nature of Things
2005 Estados da Matéria
2007 Season
2009 Ruins
2010 Lisbon-Province
2010 Pedro Calapez: Trabalhos do Olhar
2011 Crónica Parisiense
2013 Entrecampos
2014 Vida Activa
2015 Maria do Mar
2019 Suzanne Daveau
2019 Understory
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.