A work in constant progress (and occasional regress).
Damien Stumpf is a France-born visual effects supervisor at Framestore whose career began in 2003 at the Parisian boutique studio BUF, where he started as a digital artist and swiftly advanced into VFX supervision. Early in his career, he became a founding member of Atelier VFX, gaining both creative and business experience; one of the projects he worked on there—La Chambre Bleue (2014)—was selected for the Cannes Film Festival lineup. Following his time in Paris, Stumpf spent a year with Method Studios in London before relocating to Montreal to join MPC. There, he served in various roles, including as CG Supervisor on Fantastic Beasts and Where to Find Them (2016) and Ghost in the Shell (2017), and as DFX Supervisor on Jumanji: Welcome to the Jungle (2017) and Aquaman (2018). He later took on VFX Supervisor duties for Maleficent: Mistress of Evil (2019) and Cruella (2021), collaborating closely with director Craig Gillespie on the latter. In 2021, Damien joined Framestore’s Montreal studio, bringing over two decades of experience spanning independent and major feature work. At Framestore, he contributed his VFX expertise to the third season of BBC/HBO’s His Dark Materials (2019–2022) and Ms. Marvel (2022), and Disney’s live-action Snow White (2025). His work on His Dark Materials (Season 3, 2022) earned him a nomination at the 2023 British Academy Television Craft Awards in the category of Special, Visual & Graphic Effects, a recognition he shares with colleagues Danny Hargreaves, Sam Chynoweth, Bryony Duncan, Russell Dodgson, and Eliot Gibbins.
CG Supervisor:
2015 Ant-Man
2015 Insurgent
2017 Geostorm
2017 Ghost in the Shell
Producer:
2013 The Gang of the Jotas
2015 Ant-Man
2015 Insurgent
2017 Geostorm
2017 Ghost in the Shell
Visual Effects Supervisor:
2013 The Gang of the Jotas
2015 Ant-Man
2015 Insurgent
2017 Geostorm
2017 Ghost in the Shell
2025 Snow White
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.