A work in constant progress (and occasional regress).
Alias:
Artur Jacek Żmijewski
Birthplace:
Warsaw, Poland
Born:
May 26, 1966
Artur Zmijewski’s unabashedly political artworks are among the most cogent and courageous meditations on the psychical complexities of fascism and state violence currently being produced. Combining performance and video, the Warsaw-based artist utilises bodily dysfunction and abjection as allegories for despotism. His protagonists are the sick, the mentally ill, the handicapped, and the imprisoned.—Derek Conrad Murray
Cinematography:
2016 The Collection: Katarzyna
Director:
1995 Temperance and work
1996 ME AND AIDS
2000 The Game of Tag
2001 Singing Lesson 1
2005 80064
2005 Zeppelintribune
2007 Oni
2009 Democracies
2013 Glory to the Academy
2013 The Making Of
2016 The Collection: Katarzyna
2017 Glimpse
2017 Realism
2018 Blindly
2022 Compassion
???? A Pilgrimage
???? An Eye for an Eye
???? Between Us
???? Do It Yourself
???? KRWP
???? Lekcja Śpiewu 2
???? Them
Editor:
1995 Temperance and work
1996 ME AND AIDS
2000 The Game of Tag
2001 Singing Lesson 1
2005 80064
2005 Zeppelintribune
2007 Oni
2009 Democracies
2013 Glory to the Academy
2013 The Making Of
2016 The Collection: Katarzyna
2017 Glimpse
2017 Realism
2018 Blindly
2022 Compassion
???? A Pilgrimage
???? An Eye for an Eye
???? Between Us
???? Do It Yourself
???? KRWP
???? Lekcja Śpiewu 2
???? Them
Writer:
1995 Temperance and work
1996 ME AND AIDS
2000 The Game of Tag
2001 Singing Lesson 1
2005 80064
2005 Zeppelintribune
2007 Oni
2009 Democracies
2013 Glory to the Academy
2013 The Making Of
2016 The Collection: Katarzyna
2017 Glimpse
2017 Realism
2018 Blindly
2022 Compassion
???? A Pilgrimage
???? An Eye for an Eye
???? Between Us
???? Do It Yourself
???? KRWP
???? Lekcja Śpiewu 2
???? Them
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.