A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Born:
June 16, 1982
Piero Sbragia is a journalist and documentary filmmaker. Directed "República das Saúvas" (2021), chosen by the jury as Best Short Film in Documentary at the 6th International Film Festival of Santos and official selection of Festival Estação Virtual - 35 Years of Brazilian Cinema, Unified Filmmakers Media Library and São Paulo International Short Film Festival - Curta Kinoforum, "Uma Bala" (2018), official selection of the 29th São Paulo International Short Film Festival and the 12th Film and Human Rights Exhibition, "Em Refúgio", a project made in partnership with the UN and exhibited at the 1st International Meeting on Migração e Refúgio and "Descobrir: Os Criadores de Saci" (2014), official selection of the 13th Children's Film Festival in Florianópolis, of the 1st Children's Film Festival of Porto Alegre and highlight of the 15th edition of the Festival Nacional do Saci in Botucatu. He wrote "Novas Fronteiras do Documentário: Entre a Factualidade e a Ficcionalidade", published by Chiado Books in 2020. He has a master's degree in Education, Art and History of Culture and a degree in Social Communication, with specialization in Journalism, from Universidade Mackenzie. He specialized in Documentary Cinema at Fundação Getúlio Vargas (FGV-SP) and the Center for Research and Documentation of Contemporary History of Brazil (CPDOC). He is currently the artistic director of the Second Stories Films production company, text and content editor for TV Globo and founder of the 3emCENA channel on YouTube. In his career, he worked for the three largest television stations in Brazil: Rede Globo, Rede Record and SBT. He also collaborated on audiovisual projects for Hospital das Clínicas, TV Cultura, Rural Channel, WorldSkills, TV Justiça and XP Educação. He was artistic director at eduK, an online learning platform that offers free courses. He has been a university professor since 2013, with classes taught at Mackenzie University, at the School of Communication at FIAM-FAAM Centro Universitário, at FATEC-SP and at the University of Santo Amaro. He was a finalist for the 2018 Professionals of Music Award in the "Best Music Video Director" category and win as Best Director for "República das Saúvas" in Roshani International Film Festival 2021.
Cinematography:
2021 Republic of Evil Ants
Director:
2014 Descobrir: Os Criadores de Saci
2018 Em Refúgio
2018 Uma Bala
2021 Republic of Evil Ants
Editor:
2014 Descobrir: Os Criadores de Saci
2016 Peleja
2018 Em Refúgio
2018 Uma Bala
2021 Republic of Evil Ants
Producer:
2014 Descobrir: Os Criadores de Saci
2016 Peleja
2018 Em Refúgio
2018 Uma Bala
2021 Republic of Evil Ants
Sound Designer:
2014 Descobrir: Os Criadores de Saci
2016 Peleja
2018 Em Refúgio
2018 Uma Bala
2021 Republic of Evil Ants
Writer:
2014 Descobrir: Os Criadores de Saci
2016 Peleja
2018 Em Refúgio
2018 Uma Bala
2021 Republic of Evil Ants
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.