A work in constant progress (and occasional regress).
Birthplace:
Kilbirnie, North Ayrshire, Scotland, UK
Born:
January 1, 1878
Died:
January 1, 1953
From Wikipedia, the free encyclopedia Angela Murray Gibson was born in Scotland in 1878. Her family emigrated when she was five, settling in Casselton, North Dakota, United States. Her father was rarely home due to working as a travel agent to help support the family, Gibson lived with her mother and her older sister Ruby in a small apartment in Fargo, North Dakota. She became infatuated with the film industry, and made her own productions featuring her Scottish heritage. Gibson became one of the first women to graduate from what is now known as North Dakota State University. With the profits from Ruby's clothing store, once Gibson graduated, her sister paid for a trip to Scotland in 1908 for Gibson to study the culture and dress of her homeland. When Gibson returned to the U.S. she put together a show performed on a Scottish harp. In 1911 she took her performance all over the U.S. and Canada. In 1916, she was approached by motion picture actress Mary Pickford, who was making a movie called The Pride of the Clan. Pickford flew her out to Hollywood for six weeks to work on this 1917 production, where Gibson helped as an adviser and assistant director to Maurice Tourneur. He wanted the movie to be authentic, and with Gibson's Scottish background, she was able to offer advice on costumes, dances and dialogue. These two got along very well, and a successful film. Gibson also gained acting experience from this film, as she played a small role in it. After Gibson's first assistant directing production wrapped up, she attended Columbia University to study cinematography. After graduating she bought a camera and one lens and headed back to her home town of Casselton, North Dakota. She opened the state's first movie studio that was completely run and financed by women. She became the studio's writer, director and actress, while her sister Ruby ran the business side. Somebody had to crank the camera, which was the job of Gibson's mother, as she became the film crew. Gibson took advantage of the natural light at her studio, where she made outdoor canvases with which to film her movies. She did all of her own film processing as well as editing. Gibson started off with two film documentaries, one about the life of a grain of wheat and the other about a rodeo. When the movies were completed she went to local film distributors. Her first comedy film was titled That Ice Ticket. With the start of the Great Depression, Gibson was forced to stop making films due to her financial situation, and turned the Gibson Studio into a dance studio, where she became the instructor.
Assistant Director:
1917 The Pride of the Clan
Camera Operator:
1917 The Pride of the Clan
1923 Arrested For Life
1923 The Adams's Boys
Director:
1917 The Pride of the Clan
1921 That Ice Ticket
1923 Arrested For Life
1923 The Adams's Boys
2002 The Choir
???? Broncho Busting in Medora
???? How to Cook an Omelet/A Lesson in Cooking
???? The Wheat Industry
Producer:
1917 The Pride of the Clan
1921 That Ice Ticket
1923 Arrested For Life
1923 The Adams's Boys
2002 The Choir
???? Broncho Busting in Medora
???? How to Cook an Omelet/A Lesson in Cooking
???? The Wheat Industry
Writer:
1917 The Pride of the Clan
1921 That Ice Ticket
1923 Arrested For Life
1923 The Adams's Boys
2002 The Choir
???? Broncho Busting in Medora
???? How to Cook an Omelet/A Lesson in Cooking
???? The Wheat Industry
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.