A work in constant progress (and occasional regress).
Birthplace:
Porto, Portugal
Born:
January 1, 1946
Sério Fernandes (Porto, 1946). He was an advertising director for Portuguese agencies and for Agence Havas. In 1974, he founded the production company Beifilme in Porto, where he produced and directed dozens of short, medium-length and feature films, including: “Coéforas”, “4'27‘’ do Mar de Francelos”, “A Entrada de Cristo no Porto”, “Nascimento do Sol Negro”, “Cisnes Negros”, “Viagem no Douro”, “Chico Fininho”, “Odisseu”, “Porto State of Art”. In 2003/04, he directed the feature films “Porto Porto” and “Quando eu Morrer vestir-se de Andorinha e voltar sempre na Primavera”. He was a teacher at ESAP between 1991 and 2015, teaching film directing. With his students, he shot dozens of films in Porto, from Minho to the Algarve, and in cities such as Paris, Barcelona and Brussels; in Africa, he shot the films “Morrer Sim Mas Devagar”, in Alcácer Quibir/Morocco, “Lava Crioula” on Fogo Island/Cape Verde and “Ecticoga” in Orango-Bijagós/Guinea Bissau. With former students, he has also filmed in Brazil, the Sertão and Amazonia, Macau and the Azores. The making of these films is based on the Quadro Artístico Cinematográfico, the absolute matrix unit of the aesthetically named Escola do Porto.
Director:
1982 Chico Fininho
1983 I Regata dos Barcos Rabelos
1992 Viva o Porto
1995 Cabo Mondego
1995 Vale do Fogo
2006 Eticoga
2017 Segundo Porto
2019 Um Vulto na Praça da Batalha
2020 Curtas
Producer:
1982 Chico Fininho
1983 I Regata dos Barcos Rabelos
1992 Viva o Porto
1995 Cabo Mondego
1995 Vale do Fogo
2006 Eticoga
2017 Segundo Porto
2019 Um Vulto na Praça da Batalha
2020 Curtas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.