A work in constant progress (and occasional regress).
Birthplace:
Wadduwa, Sri Lanka
Born:
October 6, 1946
Kala Keerthi Dharmasiri Bandaranayake (born 06th of October 1949) is a Sri Lankan film director and playwright. Particularly work as a playwright, Bandaranayake is an artist who attempts to connect the sociopolitical environment with civil society through art. Bandaranyake's debut Hansa Vilak in 1980 dealt with facets of a society at odds with itself. His other films like Thunveni Yamaya (1983), Suddilage Kathaawa (1984), Bawa Duka and Bawa Karma (1997) followed similar themes. Two films Bawa Duka and Bawa Karma challenged the repressive dogma of Buddhism in Sri Lanka. Common arcs in Bandaranayake's films follow the conflicted lives of men and women, the transformation of private lives into public affairs, the unpleasant reality of marriage and society and the dark side of human desire. He produced many stage plays such as Eka Adhipathi, Makarakshaya, Dhawala Bheeshana, Yakshagamanaya and Trojan Kanthavo have all dealt with current issues of national and political importance. In 1999, Bandaranyake first staged the play Trojan Kanthawo which adapted Euripides' Greek drama The Trojan Women for a Sinhala and Tamil audience. It is meant as an anti-war statement and proved to be controversial with the Sri Lankan government despite critical acclaim. Bandaranayake received several death threats in 2001 after he made plans to stage the play in predominantly Tamil areas.
Director:
1980 Hansa Vilak
1983 Thunveni Yamaya
1985 A Woman in a Whirlpool
1997 Bawa Duka - The Sorrow of Existence - Part I
Screenplay:
1980 Hansa Vilak
1983 Thunveni Yamaya
1985 A Woman in a Whirlpool
1997 Bawa Duka - The Sorrow of Existence - Part I
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.