A work in constant progress (and occasional regress).
Igor Stanojević is a Serbian director, known for Earth 2.0 (2017), The Man from Bagombo (2010) and The Pocket-Watch (2004).
Cinematography:
2012 Photographic Memory
Director:
2003 Waiting for the Weekend
2005 The Pocket-Watch
2010 Debaters Go Belgrade
2010 Hand Made in Serbia
2010 The Man from Bagombo
2012 Photographic Memory
2017 Earth 2.0
2021 Djordje Kadijevic on A Holy Place
Director of Photography:
2003 Waiting for the Weekend
2005 The Pocket-Watch
2010 Debaters Go Belgrade
2010 Hand Made in Serbia
2010 The Man from Bagombo
2012 Photographic Memory
2017 Earth 2.0
2021 Djordje Kadijevic on A Holy Place
Editor:
2003 Waiting for the Weekend
2005 The Pocket-Watch
2010 Debaters Go Belgrade
2010 Hand Made in Serbia
2010 The Man from Bagombo
2012 Photographic Memory
2017 Earth 2.0
2021 Djordje Kadijevic on A Holy Place
Producer:
2003 Waiting for the Weekend
2005 The Pocket-Watch
2010 Debaters Go Belgrade
2010 Hand Made in Serbia
2010 The Man from Bagombo
2012 Photographic Memory
2017 Earth 2.0
2021 Djordje Kadijevic on A Holy Place
Writer:
2003 Waiting for the Weekend
2005 The Pocket-Watch
2010 Debaters Go Belgrade
2010 Hand Made in Serbia
2010 The Man from Bagombo
2012 Photographic Memory
2017 Earth 2.0
2021 Djordje Kadijevic on A Holy Place
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.