A work in constant progress (and occasional regress).
Birthplace:
Ajaccio - Corsica - France
Rebekah Fieschi is a New York based writer/director from a tiny island in the south of France who makes peculiar fantasy and gothic horror films through her company Horromance Productions. Her most recent short, "Mauvaises Têtes", is an award-winning reinvention of classic Hollywood horror films such as "Frankenstein" which was well received in film festivals around the world. Her focus is to bring more entertaining, yet layered, character driven gothic horror and fantasy films to the screen. Her career as a storyteller began as a small child, making up elaborate tales to tell her family and friends. This natural talent for make-believe and keen visual imagination, had by age eleven, led her to decide on a directing career. After studying filmmaking in Paris, Rebekah moved to New York in 2010. She is also an advocate of fair gender representation in cinema, she is known for giving nuanced voices to female characters and is part of a group of filmmakers seeking to transform the industry.
Director:
2011 Clara's Tale
2012 Awena’s Dressing Room
2012 Sharp Candy
2012 The Saddest Toast
2013 Two Sisters
2016 Mauvaises Têtes
2016 Monster Soup
2018 Sylphvania Grove
Executive Producer:
2011 Clara's Tale
2012 Awena’s Dressing Room
2012 Sharp Candy
2012 The Saddest Toast
2013 Two Sisters
2016 Mauvaises Têtes
2016 Monster Soup
2018 Sylphvania Grove
Producer:
2011 Clara's Tale
2012 Awena’s Dressing Room
2012 Sharp Candy
2012 The Saddest Toast
2013 Two Sisters
2016 Mauvaises Têtes
2016 Monster Soup
2018 Sylphvania Grove
Writer:
2011 Clara's Tale
2012 Awena’s Dressing Room
2012 Sharp Candy
2012 The Saddest Toast
2013 Two Sisters
2016 Mauvaises Têtes
2016 Monster Soup
2018 Sylphvania Grove
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.