A work in constant progress (and occasional regress).
Alias:
Rainer Holzemer
Reiner Holzemar
Reiner Holzemer has been working as a documentary film director since 1983. The portraits of internationally renowned artists, especially from the fields of photography and fashion, are the focus of his work to date. His film DRIES, which portrays fashion designer Dries Van Noten, and MARTIN MARGIELA IN HIS OWN WORDS have been shown at numerous film festivals around the world and sold in over 64 countries. In 2020, the HOLLYWOOD REPORTER voted Reiner Holzemer's film about Martin Margiela the best fashion documentary of the decade. His latest documentary portrait about the exceptional actor Lars Eidinger will premiere at Filmfest Hamburg in October 2022.
Camera Operator:
2020 Das Kino ist tot, es lebe das Kino - Berlinale-Beobachtungen
Cinematography:
2020 Das Kino ist tot, es lebe das Kino - Berlinale-Beobachtungen
2020 Willy Bogner - Durch Feuer und Eis
Director:
2001 Magnum Photos: The Changing of a Myth
2002 August Sander: People of the 20th Century
2013 Der Autobahnkrieg - damals und heute
2017 Dries
2020 Das Kino ist tot, es lebe das Kino - Berlinale-Beobachtungen
2020 Martin Margiela: In His Own Words
2020 Willy Bogner - Durch Feuer und Eis
2023 Lars Eidinger – To Be or Not To Be
???? Thom Browne: The Man Who Tailors Dreams
Director of Photography:
2001 Magnum Photos: The Changing of a Myth
2002 August Sander: People of the 20th Century
2013 Der Autobahnkrieg - damals und heute
2017 Dries
2020 Das Kino ist tot, es lebe das Kino - Berlinale-Beobachtungen
2020 Martin Margiela: In His Own Words
2020 Willy Bogner - Durch Feuer und Eis
2023 Lars Eidinger – To Be or Not To Be
???? Thom Browne: The Man Who Tailors Dreams
Producer:
2001 Magnum Photos: The Changing of a Myth
2002 August Sander: People of the 20th Century
2013 Der Autobahnkrieg - damals und heute
2017 Dries
2020 Das Kino ist tot, es lebe das Kino - Berlinale-Beobachtungen
2020 Martin Margiela: In His Own Words
2020 Willy Bogner - Durch Feuer und Eis
2023 Lars Eidinger – To Be or Not To Be
???? Thom Browne: The Man Who Tailors Dreams
Sound:
1997 Manhattan Storys
2001 Magnum Photos: The Changing of a Myth
2002 August Sander: People of the 20th Century
2013 Der Autobahnkrieg - damals und heute
2017 Dries
2020 Das Kino ist tot, es lebe das Kino - Berlinale-Beobachtungen
2020 Martin Margiela: In His Own Words
2020 Willy Bogner - Durch Feuer und Eis
2023 Lars Eidinger – To Be or Not To Be
???? Thom Browne: The Man Who Tailors Dreams
Writer:
1997 Manhattan Storys
2001 Magnum Photos: The Changing of a Myth
2002 August Sander: People of the 20th Century
2013 Der Autobahnkrieg - damals und heute
2017 Dries
2020 Das Kino ist tot, es lebe das Kino - Berlinale-Beobachtungen
2020 Martin Margiela: In His Own Words
2020 Willy Bogner - Durch Feuer und Eis
2023 Lars Eidinger – To Be or Not To Be
???? Thom Browne: The Man Who Tailors Dreams
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.