A work in constant progress (and occasional regress).
Olivier Gossot is a cinematographer based in Montreal, Quebec.
Cinematography:
2021 Damascus Dreams
2021 INCARNAT piano - film
2023 Atlantis
2024 Lucy Grizzli Sophie
2024 Rally
Colorist:
2012 The Vanishing Spring Light
2021 Damascus Dreams
2021 INCARNAT piano - film
2023 Atlantis
2024 Lucy Grizzli Sophie
2024 Rally
Director of Photography:
2012 The Vanishing Spring Light
2014 I Am an Actress
2014 Life's a Bitch
2015 Blue Thunder
2015 Maurice
2016 Cast Off
2016 Oh What a Wonderful Feeling
2017 Amen
2017 Crème de menthe
2018 Fauve
2018 Mahalia Melts in the Rain
2018 Milk
2019 Jeune Juliette
2019 Red Wine
2020 Regret
2021 Damascus Dreams
2021 F*ckin' Coffin!
2021 INCARNAT piano - film
2023 Atlantis
2023 Mothers and Monsters
2024 Lucy Grizzli Sophie
2024 Rally
Director of Photography:
2014 Féminin/Féminin
2016 Fluffy Marky
2017 L'âge adulte
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.