Emanuele Cecere

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Sound:
2001  L'ultima lezione
2001  Red Moon
2002  Gasoline
2003  Three-Step Dance
2006  Mario's War
2006  Odessa
2009  The Slow Game
2010  Dark Love
2014  Il giudice meschino
2015  Youth
2016  La buona uscita
2022  Nostalgia

Sound Director:
2001  L'ultima lezione
2001  Red Moon
2002  Gasoline
2003  Three-Step Dance
2006  Mario's War
2006  Odessa
2009  The Slow Game
2010  Dark Love
2014  Il giudice meschino
2015  Youth
2016  La buona uscita
2022  Nostalgia
2024  The Art of Joy

Sound Mixer:
2001  L'ultima lezione
2001  Red Moon
2002  Gasoline
2003  Three-Step Dance
2006  Mario's War
2006  Odessa
2009  The Slow Game
2010  Dark Love
2014  Il giudice meschino
2015  Youth
2016  La buona uscita
2018  Loro 1
2018  Loro 2
2021  The Hand of God
2022  Love & Gelato
2022  Nostalgia
2024  The Art of Joy

Sound Recordist:
2001  L'ultima lezione
2001  Red Moon
2002  Gasoline
2003  Three-Step Dance
2004  The Consequences of Love
2006  Mario's War
2006  Odessa
2008  Il Divo
2009  The Slow Game
2010  Dark Love
2014  Il giudice meschino
2015  Youth
2016  La buona uscita
2018  Loro 1
2018  Loro 2
2021  The Hand of God
2022  Love & Gelato
2022  Nostalgia
2024  Parthenope
2024  The Art of Joy

Thanks:
1998  Rehearsals for War
2001  L'ultima lezione
2001  Red Moon
2002  Gasoline
2003  Three-Step Dance
2004  The Consequences of Love
2006  Mario's War
2006  Odessa
2008  Il Divo
2009  The Slow Game
2010  Dark Love
2014  Il giudice meschino
2015  Youth
2016  La buona uscita
2018  Loro 1
2018  Loro 2
2021  The Hand of God
2022  Love & Gelato
2022  Nostalgia
2024  Parthenope
2024  The Art of Joy

Sound:
2004  Avere Ventanni

Sound Mixer:
2004  Avere Ventanni
2018  My Brilliant Friend

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.