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M. Woods (b. 1988)

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Alias:
Disassociative Productions
M Woods
Michael Woods
The Digital Sickness
The Numb Spiral
The Prom Date Fuck

Birthplace:
New York City

Born:
August 24, 1988

Biography from TheMovieDB

Michael Woods (born 1988, NYC) is a Latino media terrorist working in avant-garde film, video art, photography, collage, sound design, performance, curation, installation, music composition, and immersive media. Woods' work chronicles the spread of the Numb Spiral, the results of a digital sickness that manifests itself in the codification and symbolic negation of being.

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Additional information:

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Film Production

Director:
2011  NARC
2011  Surr-Urban-ism
2012  Diz Knee Wurld
2015  Post-Panoptic Gazing
2016  Bedford Cheese
2016  Stuck in the 90’s Episode -1: Zac Efron Sex Tape
2017  An Infinite Loop for Resistance
2017  Commodity Trading Part 1 of 3 (Election Day)
2017  Dailies From Dumpland Part 1 & 2
2017  Dailies From Dumpland Part 3
2017  Dailies From the USA
2017  Dailies from Dumpland Part 5
2017  For Dies Irae
2018  Closing Bell
2018  Dailies from Dumpland
2018  Press [FIRE] to Start!
2018  Window Shoppin (in the fall of Babylon)
2019  Fractal Death 4: Talk about Destruction You Can Count Me In
2020  Body Prop
2020  Body Prop - Movement 1 [destroyed be forever all the bonds of nature]
2021  Commodity Trading (Part 2 of 3 ?): December 19th
2021  Mockingbird
2023  Commodity Trading: Dies Irae
2023  Melencolia 1: The End of the Alphabet
2024  Tambellini: Communications from Other Space
????  A Day in a Place

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.