A work in constant progress (and occasional regress).
Alias:
Amin Stepple Hiluey
Birthplace:
Campina Grande, Paraíba, Brazil
Born:
November 12, 1950
Died:
December 25, 2019
Amin Stepple Hiluey (1950-2019) was a director, screenwriter, film critic, and journalist. Born in Campina Grande, Paraíba, he moved to Recife, Pernambuco, at a very young age. In the 1970s and 1980s, he led the "anarchist" wing of the Recife Super-8 Cycle, which affronted the military dictatorship with experimental films. He later worked in television and coined the expression "Árido Movie", a synthesis of the resurgent feature film production in the Northeast in the late 1990s. He worked as a screenwriter for some films of the new Pernambucan cinema.
Co-Writer:
2005 Dry Movie
Director:
1975 Tempo Nublado
1976 P.S. Um Beijo
1976 Robin Hollywood
1978 O Lento, Seguro, Gradual e Relativo Strip-tease do Zé Fusquinha
1979 Creuzinha Não é Mais Tua
1989 Cinema Pernambucano - 70 anos
1995 That's a Lero-Lero
1998 História de Amor em 16 Quadros por Segundo
2005 Dry Movie
Screenplay:
1975 Tempo Nublado
1976 P.S. Um Beijo
1976 Robin Hollywood
1978 O Lento, Seguro, Gradual e Relativo Strip-tease do Zé Fusquinha
1979 Creuzinha Não é Mais Tua
1989 Cinema Pernambucano - 70 anos
1995 That's a Lero-Lero
1998 História de Amor em 16 Quadros por Segundo
2005 Dry Movie
2012 País do Desejo
Writer:
1974 Isso é Que é
1975 Tempo Nublado
1976 P.S. Um Beijo
1976 Robin Hollywood
1978 O Lento, Seguro, Gradual e Relativo Strip-tease do Zé Fusquinha
1979 Creuzinha Não é Mais Tua
1989 Cinema Pernambucano - 70 anos
1995 That's a Lero-Lero
1998 História de Amor em 16 Quadros por Segundo
2005 Dry Movie
2012 País do Desejo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.