A work in constant progress (and occasional regress).
Alias:
Wendell Edward Pierce
웬델 피어스
Birthplace:
New Orleans, Louisiana, USA
Born:
December 8, 1963
Wendell Edward Pierce (born December 8, 1962) is an American actor and businessman. Having trained at Juilliard School, Pierce rose to prominence as a character actor, portraying roles on both stage and screen. He first gained recognition for portraying the role of Detective Bunk Moreland in the acclaimed HBO drama series The Wire from 2002 to 2008. His other notable television roles include the trombonist Antoine Batiste in Treme (2010-2013), James Greer in Tom Clancy's Jack Ryan (2018-2023), the attorney Robert Zane in Suits (2013-2019), and Clarence Thomas in Confirmation (2016). He earned Independent Spirit Awards nominations for his film roles in Four (2012) and Burning Cane (2019), on which he also served as a producer. Other notable film roles include Malcolm X (1992), Waiting to Exhale (1995), Ray (2004), Selma (2014), The Gift (2015), and Clemency (2019). Pierce made his Broadway debut in John Pielmeier's 1985 play The Boys of Winter, followed by Caryl Churchill's Serious Money in 1988. As a theatrical producer, he earned a Tony Award for Best Play nomination for August Wilson's Radio Golf (2007), then won for Bruce Norris's Clybourne Park (2012). He performed the lead role of Willy Loman in the revival of Death of a Salesman on the West End in London in 2019 and on Broadway in New York in 2022, for which he earned Laurence Olivier Award and Tony Award nominations. Description above from the Wikipedia article Wendell Pierce, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Producer:
2019 Burning Cane
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.