A work in constant progress (and occasional regress).
Colorist:
2018 Nepenthes
Director:
2016 Ghost Can
2018 Nepenthes
2018 Time Heals No Wounds
???? Dangerous Waves
???? Overtide
Director of Photography:
2016 Ghost Can
2016 Ready to Burst
2017 Paint the Town Red
2017 The Man in the Rabbit Mask
2018 Nepenthes
2018 Time Heals No Wounds
2020 Clout
2020 Reptile House
???? Dangerous Waves
???? Overtide
Editor:
2016 Ghost Can
2016 Ready to Burst
2017 Paint the Town Red
2017 The Man in the Rabbit Mask
2018 Nepenthes
2018 Time Heals No Wounds
2020 Clout
2020 Reptile House
2022 Damned Supper
???? Dangerous Waves
???? Overtide
Producer:
2016 Ghost Can
2016 Ready to Burst
2017 Paint the Town Red
2017 The Man in the Rabbit Mask
2018 Nepenthes
2018 Time Heals No Wounds
2020 Clout
2020 Reptile House
2022 Damned Supper
???? Dangerous Waves
???? Overtide
Writer:
2016 Ghost Can
2016 Ready to Burst
2017 Paint the Town Red
2017 The Man in the Rabbit Mask
2018 Nepenthes
2018 Time Heals No Wounds
2020 Clout
2020 Reptile House
2022 Damned Supper
???? Dangerous Waves
???? Overtide
Compositing Artist:
2021 Star Stable: Mistfall
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.