A work in constant progress (and occasional regress).
Boom Operator:
1997 La novia de medianoche
1997 Todo está oscuro
1998 El sudor de los ruiseñores
2002 El refugio del mal
Screenplay:
1997 La novia de medianoche
1997 Todo está oscuro
1998 El sudor de los ruiseñores
2002 El refugio del mal
2005 Aupa Etxebeste!
Sound:
1997 La novia de medianoche
1997 Live Flesh
1997 Todo está oscuro
1998 El sudor de los ruiseñores
2002 El refugio del mal
2005 Aupa Etxebeste!
2008 The good news
2010 Stars to Wish Upon
2011 Happy New Year, Grandma!
2016 The Cliff
2018 Errementari: The Blacksmith and the Devil
2019 A March to Remember
Sound Director:
1997 La novia de medianoche
1997 Live Flesh
1997 Todo está oscuro
1998 El sudor de los ruiseñores
2002 El refugio del mal
2005 Aupa Etxebeste!
2008 The good news
2010 Stars to Wish Upon
2011 Bertsolari
2011 Happy New Year, Grandma!
2016 The Cliff
2018 Errementari: The Blacksmith and the Devil
2019 A March to Remember
Sound Mixer:
1997 La novia de medianoche
1997 Live Flesh
1997 Todo está oscuro
1998 El sudor de los ruiseñores
2002 El refugio del mal
2005 Aupa Etxebeste!
2008 The good news
2010 Stars to Wish Upon
2011 Bertsolari
2011 Happy New Year, Grandma!
2015 Amama
2016 The Cliff
2018 Errementari: The Blacksmith and the Devil
2019 A March to Remember
Sound Recordist:
1994 Alsasua 1936
1997 La novia de medianoche
1997 Live Flesh
1997 Todo está oscuro
1998 El sudor de los ruiseñores
2002 El refugio del mal
2003 The Basque Ball: Skin Against Stone
2005 Aupa Etxebeste!
2007 Taxi?
2008 The good news
2009 Perfect Happiness
2010 Stars to Wish Upon
2011 Bertsolari
2011 Bi anai
2011 Happy New Year, Grandma!
2013 Amaren eskuak
2015 Amama
2016 The Cliff
2018 Errementari: The Blacksmith and the Devil
2019 A March to Remember
2019 Ez, eskerrik asko! Glady's Window
2020 Death Knell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.