James Earl O'Brien

James Earl O'Brien has done post-production work on a number of award winning short films and has also produced and edited independent features, TV series, documentaries and commercial productions.  In 1999 James was one of the founding members of a collective called RantMedia that focused on producing digital media for distribution across the Internet. RantMedia and its projects have been written about in Wired, Spin Magazine and The Globe and Mail.  In 2003 he produced a multi-camera, live Internet broadcast called "The Sean Kennedy TV Show" which ran for 20 episodes and was an early innovator in streaming TV content over the Internet. This project got the attention of the New York Times and the Georgia Straight.  In 2004 and 2008 James filmed and edited twenty six episodes of an online TV series titled "Patrolling" which appeared on community TV stations in the US and on the satellite station SkyTV in the UK.  In 2010 his editing and production work for the animated short film "Tales from the Afternow: Little Rocks" won him several awards including Best Audio Design at the Vancouver Short Film Festival and Best Animation Science Fiction at the Dragon*Con Independent Short Film Festival in Atlanta, Georgia. Also, he was editor and sound designer on the Japanese language film "Chishio" which garnered both the Audience Choice Award and Best Cinematography award at Bloodshots 2012.  His current projects include editing and producing the feature documentary "A Perfect 14", the ambitious sci-fi short "Rachael's Mutt" as well as editing the feature documentary "No Way Out" about long term drug users living in Vancouver's Downtown Eastside.

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Cinematography:
2018  A Perfect 14

Editor:
2018  A Perfect 14

Producer:
2018  A Perfect 14

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.