A work in constant progress (and occasional regress).
Dialogue Editor:
2022 As Mil Palavras de Giacomo Geremia
Foley Artist:
2014 Castanha
2022 As Mil Palavras de Giacomo Geremia
Foley Recordist:
2007 Fake Blonde
2014 Castanha
2022 As Mil Palavras de Giacomo Geremia
Music:
2007 Fake Blonde
2014 Castanha
2016 Luna 13
2022 As Mil Palavras de Giacomo Geremia
Sound:
2007 Fake Blonde
2014 Castanha
2016 Luna 13
2022 As Mil Palavras de Giacomo Geremia
2023 Uma Carta para Papai Noel
Sound Designer:
2007 Fake Blonde
2014 Castanha
2016 Luna 13
2016 Para o que der e vier
2018 International Day
2019 Kerexu
2022 As Mil Palavras de Giacomo Geremia
2023 Uma Carta para Papai Noel
Sound Recordist:
2007 Fake Blonde
2014 Castanha
2016 Luna 13
2016 Para o que der e vier
2018 International Day
2019 Kerexu
2022 As Mil Palavras de Giacomo Geremia
2023 Uma Carta para Papai Noel
2023 Until the Music is Over
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.