A work in constant progress (and occasional regress).
Alias:
Tsangis Chahrkoh
Tschangis Chahrok-Zadeh
Tschangis Chahrokh-Zadeh
Tschangis Charhokh
Tschangis Charokh
Mixing Engineer:
2017 Rouff
Recording Supervision:
2016 Salt and Fire
2017 Rouff
Sound Designer:
2016 Salt and Fire
2017 Rouff
2019 Cargo
Sound Mixer:
2001 A Woman and a Half: Hildegard Knef
2003 Madrid
2016 Salt and Fire
2017 Rouff
2019 Cargo
Sound Re-Recording Mixer:
2001 A Woman and a Half: Hildegard Knef
2003 Madrid
2003 Männer häppchenweise
2004 Abgefahren
2004 Germanikus
2004 Operation Valkyrie
2005 Sophie Scholl: The Final Days
2008 North Face
2009 John Rabe
2009 Killing Is My Business, Honey
2009 Pandorum
2009 The Two Horses of Genghis Khan
2012 The Fourth State
2013 Dampfnudelblues
2013 Windstorm
2014 The Dark Valley
2014 The Man Cave
2016 Salt and Fire
2017 My Blind Date with Life
2017 Rouff
2018 All About Me
2018 How About Adolf?
2019 Cargo
2022 The Conference
2022 The Young Chief Winnetou
Sound mixer:
2001 A Woman and a Half: Hildegard Knef
2001 Nowhere in Africa
2003 Madrid
2003 Männer häppchenweise
2004 Abgefahren
2004 Germanikus
2004 Operation Valkyrie
2005 Sophie Scholl: The Final Days
2008 North Face
2009 John Rabe
2009 Killing Is My Business, Honey
2009 Pandorum
2009 The Two Horses of Genghis Khan
2012 The Fourth State
2013 Dampfnudelblues
2013 Windstorm
2014 The Dark Valley
2014 The Man Cave
2016 Salt and Fire
2017 My Blind Date with Life
2017 Rouff
2018 All About Me
2018 How About Adolf?
2019 Cargo
2022 The Conference
2022 The Young Chief Winnetou
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.