A work in constant progress (and occasional regress).
Sound:
2010 Carlos
2014 Clouds of Sils Maria
2019 Zombi Child
2022 Love Life
2024 In His Own Image
Sound Designer:
2004 Clean
2010 Carlos
2014 Clouds of Sils Maria
2019 Zombi Child
2022 Love Life
2024 In His Own Image
Sound Editor:
2004 Clean
2007 The Story of Richard O
2009 Buried Secrets
2010 Carlos
2011 House of Pleasures
2014 Clouds of Sils Maria
2014 Obsessive Rythms
2019 Zombi Child
2020 Enormous
2022 Love Life
2023 The Edge of the Blade
2024 Borgo
2024 In His Own Image
Sound Effects:
2004 Clean
2007 The Story of Richard O
2009 Buried Secrets
2010 Carlos
2011 House of Pleasures
2014 Clouds of Sils Maria
2014 Obsessive Rythms
2019 Zombi Child
2020 Enormous
2022 Babysitter
2022 Love Life
2023 The Edge of the Blade
2024 Borgo
2024 In His Own Image
Sound Mixer:
2004 Clean
2005 The Ax
2007 The Story of Richard O
2009 Buried Secrets
2010 Carlos
2011 House of Pleasures
2014 Clouds of Sils Maria
2014 Obsessive Rythms
2019 Zombi Child
2020 Enormous
2022 Babysitter
2022 Love Life
2023 The Edge of the Blade
2024 Borgo
2024 In His Own Image
Supervising Sound Editor:
2004 Clean
2005 The Ax
2007 The Story of Richard O
2009 Buried Secrets
2010 Carlos
2011 House of Pleasures
2014 Clouds of Sils Maria
2014 Obsessive Rythms
2016 Personal Shopper
2019 Zombi Child
2020 Enormous
2022 Babysitter
2022 Love Life
2023 The Edge of the Blade
2024 Borgo
2024 In His Own Image
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.