A work in constant progress (and occasional regress).
Alias:
Jialing Zhang
Zhang Lynn
张嘉玲
Born:
January 1, 1984
Zhang Jialing (张嘉玲, also credited as Lynn Zhang; born 1984) is an Emmy Award-nominated independent filmmaker based in Beijing and Massachusetts. Zhang holds a Master’s degree from New York University in documentary filmmaking. Her award-winning feature documentary debut Complicit (2017) follows the journey of a benzene-poisoned Chinese migrant worker who takes on the global electronics manufacturing industry. The film premiered at the London Human Rights Watch Film Festival in 2017. Her second feature film One Child Nation (2019) which she co-directed with fellow NYU alumna Wang Nanfu, won the U.S. Grand Jury Prize for Documentary Feature at the 2019 Sundance Film Festival. Zhang has also freelanced as a local producer for various programs and media including “Vice” on HBO, Fusion TV and The New York Times. Jialing Zhang's first documentary directed on her own was the German-Dutch co-production Total Trust (2023), about the all-encompassing surveillance apparatus in China and the individual people who defend themselves against it. After several international festival screenings, Total Trust opened in German cinemas in October 2023.
Director:
2017 Complicit
2019 One Child Nation
2023 Total Trust
2023 Was China der Welt nicht zeigt – Total Trust
Producer:
2017 Complicit
2019 One Child Nation
2021 In the Same Breath
2023 Total Trust
2023 Was China der Welt nicht zeigt – Total Trust
Writer:
2017 Complicit
2019 One Child Nation
2021 In the Same Breath
2023 Total Trust
2023 Was China der Welt nicht zeigt – Total Trust
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.