A work in constant progress (and occasional regress).
Konrad Steiner is a filmmaker interested in live cinema, music, and language, who curates and creates single channel and performance works with poets and musicians in the SF Bay Area and beyond. He studied filmmaking at School of the Art Institute of Chicago. BA in Linguistics from Stanford U. Member of the SF Cinematheque curatorial committee (2003-2006); co-founder and producer of kino21.org film and performance series (2007-2010) in San Francisco.
Director:
1981 once removed
1983 Fireside
1988 End Over End
1988 Limn IV
1990 Remains
1998 19 Scenes Relating to a Trip to Japan
1998 Floating By Eagle Rock / She is Asleep
2012 Prelude (Foreplay/Mourning)
2012 way
2023 Divergence
2023 Flight
2024 Untitled Absence
Director of Photography:
1981 once removed
1983 Fireside
1988 End Over End
1988 Limn IV
1990 Remains
1998 19 Scenes Relating to a Trip to Japan
1998 Floating By Eagle Rock / She is Asleep
2009 Love Before Breakfast
2012 Prelude (Foreplay/Mourning)
2012 way
2023 Divergence
2023 Flight
2024 Untitled Absence
Editor:
1981 once removed
1983 Fireside
1988 End Over End
1988 Limn IV
1990 Remains
1998 19 Scenes Relating to a Trip to Japan
1998 Floating By Eagle Rock / She is Asleep
2009 Love Before Breakfast
2012 Prelude (Foreplay/Mourning)
2012 way
2023 Divergence
2023 Flight
2024 Untitled Absence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.