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Dauren Aidarkulov (b. 1982)

Alias:
Даурен Айдаркулов

Birthplace:
Alma-Ata, USSR (Almaty, Kazakhstan)

Born:
September 6, 1982

Biography from TheMovieDB

Dauren Aidarkulov is a Kazakh actor, showman, and TV presenter. He was born on September 6, 1982, in Almaty. From a young age, he showed an interest in performing arts, actively participating in school KVN (Club of the Funny and Inventive) teams. After finishing school, he enrolled at Al-Farabi Kazakh National University, where he earned a degree in **Management**. However, his passion for humor and the stage led him into the world of KVN, where he became a member of the teams *Astana.KZ* and *Kazakhs*. Aidarkulov's television career began at the age of 19 when he joined the *Khabar* TV channel. He worked as a scriptwriter and host on various comedy shows, including *Shatakhanа*, *Kyzyl Radio*, *Toybastar*, *Kyzylstan*, *Komanda.kz*, *Ashyk Poshta*, *AzilStudio*, and *Rizamin*. In cinema, Dauren Aidarkulov is known for his roles in comedy films such as: - *A Wedding for Three* (2015) - *16 Girls* (2016) - *Glamour for Fools* (2016) - *More Than Cinema* (2017) - *Rosehip* (2019) - *Grandpa on Hype* (2019) Aidarkulov's personal life has also drawn public attention. In 2008, he got married, and the couple had three children. However, they divorced in 2016. Later, he married singer **Akbota Seytmukhamet**, with whom he had two children. This marriage also ended in divorce after three and a half years. Dauren Aidarkulov continues to be an active figure in the Kazakhstani film and television industry, making a significant contribution to the entertainment sector.

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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