A work in constant progress (and occasional regress).
Jenny Mackenzie is a documentary filmmaker who produces films that promote social change. Her films include Kick Like a Girl, Where's Herbie?, Sugar Babies, Lead With Love, Dying in Vein, The Opiate Generation and the 2018 Sundance & Emmy-award winning film Quiet Heros. Her most recent film, The Right To Read will be available in spring of 2023. Jenny's films have aired on top broadcast and VOD channels such as HBO, HULU, PBS, and Amazon, and have received praise in the New York Times, the Washington Post, and the Boston Globe. Jenny's films have received grant support from Chicken & Egg Films, Artemis Rising Foundation, The Sorenson Legacy Foundation, Fledgling Fund, The Larry H. Miller Foundation & The Eccles Foundation. She is a graduate of Brown University and received a Ph.D. from the University of Utah, she is the daughter of Will Mackenzie aunt of Farrah Mackenzie. She has worked in collaboration with the Utah Film Center for over 15 years and is an assistant professor in documentary film production at Utah Valley University.
Director:
2008 Kick Like a Girl
2017 Dying in Vein: The Opiate Generation
2018 Quiet Heroes
2023 The Right to Read
???? Lead with Love
Producer:
2008 Kick Like a Girl
2017 Dying in Vein: The Opiate Generation
2018 Quiet Heroes
2023 The Right to Read
???? Lead with Love
Writer:
2008 Kick Like a Girl
2017 Dying in Vein: The Opiate Generation
2018 Quiet Heroes
2023 The Right to Read
???? Lead with Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.