A work in constant progress (and occasional regress).
Rui Xavier is a filmmaker, cinematographer and visual artist living in Lisbon, Portugal. Born in Oporto, he completes his bachelors degree in Audiovisual Communication at the Oporto Politechnics where he grew an interest in photography and film. By 1996 continues his studies at the University of Wales, Cardiff doing a Post Graduation course in Journalism. In 1998 moves to London to work as a photographer for the London based British newspaper The Independent. In 1999 returns to Portugal and in 2000 is the founder of the photographers collective Kameraphoto and K Gallery which was to become the leading hub for artists working with photography in Portugal. in 2000 time starts to experiment with video making small documentaries. From 2006 Rui has worked as a cinematographer and filmmaker. In 2008, his debut fiction film Superfície (2008) was awarded a Special Mention by the Jury of the 58th Berlinale/ Berlin Film Festival. The film was made with the support of Gulbenkian Foundation Program for Creation and Creativity. Since 2010 Rui Xavier is an artist in residence in Ateliers Garagem in Lisbon and collaborates with German artist Candida Höfer, resulting in the film and book Silent Spaces. He also collaborated with Venezuelan artist Javier Tellez for some of his film installations like "La Cueva de Arthaud" for Documenta 13 in Kassel. As a cinematographer, he has had long standing collaboration with avant garde Portuguese director and producer Sandro Aguilar.
Cinematography:
2009 Cold Day
2010 Voodoo
2024 Black Gold
Director:
2007 Surface
2009 Cold Day
2010 Voodoo
2024 Black Gold
Director of Photography:
2007 Surface
2009 Cold Day
2010 Voodoo
2011 Luz da Manhã
2011 The City and The Sun
2012 Signs of Stillness in Meaningless Things
2013 Bad Blood
2013 Dive: Approach And Exit
2015 Bunker
2015 Here in Lisbon
2015 Undisclosed Recipients
2017 Coup de Grâce
2017 Mariphasa
2018 Campo
2019 Extraction: The Raft of the Medusa
2019 Interdependence
2021 Hotel Royal
2022 The End of the World
2022 Visions of Empire
2022 Worth Your Weight in Gold
2023 Wolf and Dog
2024 Black Gold
2025 First Person Plural
Editor:
2007 Surface
2009 Cold Day
2010 Voodoo
2011 Luz da Manhã
2011 The City and The Sun
2012 Signs of Stillness in Meaningless Things
2013 Bad Blood
2013 Dive: Approach And Exit
2015 Bunker
2015 Here in Lisbon
2015 Undisclosed Recipients
2017 Coup de Grâce
2017 Mariphasa
2018 Campo
2019 Extraction: The Raft of the Medusa
2019 Interdependence
2021 Hotel Royal
2022 The End of the World
2022 Visions of Empire
2022 Worth Your Weight in Gold
2023 Wolf and Dog
2024 Black Gold
2025 First Person Plural
Executive Producer:
2007 Surface
2009 Cold Day
2010 Voodoo
2011 Infinito
2011 Luz da Manhã
2011 The City and The Sun
2012 Signs of Stillness in Meaningless Things
2013 Bad Blood
2013 Dive: Approach And Exit
2015 Bunker
2015 Here in Lisbon
2015 Undisclosed Recipients
2017 Coup de Grâce
2017 Mariphasa
2018 Campo
2019 Extraction: The Raft of the Medusa
2019 Interdependence
2021 Hotel Royal
2022 The End of the World
2022 Visions of Empire
2022 Worth Your Weight in Gold
2023 Wolf and Dog
2024 Black Gold
2025 First Person Plural
Producer:
2007 Surface
2009 Cold Day
2010 Voodoo
2010 Wild Horses
2011 Infinito
2011 Luz da Manhã
2011 The City and The Sun
2012 Signs of Stillness in Meaningless Things
2013 Bad Blood
2013 Dive: Approach And Exit
2015 Bunker
2015 Here in Lisbon
2015 Undisclosed Recipients
2017 Coup de Grâce
2017 Mariphasa
2018 Campo
2019 Extraction: The Raft of the Medusa
2019 Interdependence
2020 Through the Haze
2021 Hotel Royal
2022 The End of the World
2022 Visions of Empire
2022 Worth Your Weight in Gold
2023 Wolf and Dog
2024 Black Gold
2025 First Person Plural
Writer:
2007 Surface
2009 Cold Day
2010 Voodoo
2010 Wild Horses
2011 Infinito
2011 Luz da Manhã
2011 The City and The Sun
2012 Signs of Stillness in Meaningless Things
2013 Bad Blood
2013 Dive: Approach And Exit
2015 Bunker
2015 Here in Lisbon
2015 Undisclosed Recipients
2017 Coup de Grâce
2017 Mariphasa
2018 Campo
2019 Extraction: The Raft of the Medusa
2019 Interdependence
2020 Through the Haze
2021 Hotel Royal
2022 The End of the World
2022 Visions of Empire
2022 Worth Your Weight in Gold
2023 Wolf and Dog
2024 Black Gold
2025 First Person Plural
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.