A work in constant progress (and occasional regress).
Alias:
Advaitha Ambara
With an experience of working on over 10 feature films, as the chief associate to master cinematographer Madhu Ambat, and as an independent cinematographer for over 9 feature length documentaries and 3 award winning short films, and loads of corporate and promotional films, cinematography has become more than just a profession. Fujifilm Best Cinematographer 2011, Gold medalist in cinematography from L V Prasad film and TV academy and representation in many major International film festivals has made me take up this art more seriously and responsibly. With an experience of working on all possible formats ranging from DV to 16mm and 35mm film, DSLRs to New age high end Digital cameras, cinematography/ filmmaking has been a constant quest between technological and aesthetic developments and changes. Specialities - 16mm, 35mm, HD, Digital cinematography, Cinematographer, Director of Photography, Creative Director
Cinematography:
2017 Sandpaper
2023 Sapta Sagaradaache Ello – Side A
???? Bhairavana Kone Paata
???? Nadaprabhu Kempegowda
???? Uttarakanda
Director of Photography:
2016 U Turn
2017 Sandpaper
2018 Churikatte
2018 Kirrak Party
2019 Kavaludaari
2022 Banaras
2023 Sapta Sagaradaache Ello - Side B
2023 Sapta Sagaradaache Ello – Side A
2023 Shivaji Surathkal 2: Mysterious case of Maayavi
???? Bhairavana Kone Paata
???? Nadaprabhu Kempegowda
???? Uttarakanda
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.