A work in constant progress (and occasional regress).
ADR Recordist:
2016 Manhattan Night
Sound Editor:
2016 Manhattan Night
2017 Jon Richardson: How to Survive The End of the World
Sound Mixer:
2014 Miss Brill
2016 Manhattan Night
2017 Jon Richardson: How to Survive The End of the World
2018 Michael Palin: A Life on Screen
2020 Ashens and the Polybius Heist
2020 Love Is a Hand Grenade
Sound Re-Recording Mixer:
2011 Puss in Boots
2012 Rise of the Guardians
2014 Miss Brill
2014 The Portrait
2015 Operator
2015 The Gamechangers
2016 Distance
2016 Manhattan Night
2016 Sauna the Dead: A Fairy Tale
2017 Jon Richardson: How to Survive The End of the World
2018 Gwen
2018 Michael Palin: A Life on Screen
2020 Ashens and the Polybius Heist
2020 Love Is a Hand Grenade
2021 Attack of the Hollywood Clichés!
2024 Lover, Stalker, Killer
Sound Re-Recording Mixer:
2018 Save Me
2020 Adult Material
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.