A work in constant progress (and occasional regress).
Alias:
Lori McMillian
Lori Millan
Birthplace:
Winnipeg, Manitoba, Canada
Lorri Millan is a Canadian video artist and filmmaker. Millan and her frequent collaborator, Shawna Dempsey, have been creating short and cutting feminist pieces since 1989.
Additional Camera:
1995 A Day in the Life of a Bull-Dyke
Director:
1990 We're Talking Vulva
1990 What Does a Lesbian Look Like?
1992 Medusa Raw
1993 Object/Subject of Desire
1995 A Day in the Life of a Bull-Dyke
1996 Good Citizen: Betty Baker
1998 Homogeneity
2000 Calamity
2002 Lesbian National Parks and Services: A Force of Nature
2009 Lesbian National Parks and Services Presents: Endangered Species
2014 Vigilance
Editor:
1990 We're Talking Vulva
1990 What Does a Lesbian Look Like?
1992 Medusa Raw
1993 Object/Subject of Desire
1995 A Day in the Life of a Bull-Dyke
1996 Good Citizen: Betty Baker
1998 Homogeneity
2000 Calamity
2002 Lesbian National Parks and Services: A Force of Nature
2009 Lesbian National Parks and Services Presents: Endangered Species
2014 Vigilance
Producer:
1990 We're Talking Vulva
1990 What Does a Lesbian Look Like?
1992 Medusa Raw
1993 Object/Subject of Desire
1995 A Day in the Life of a Bull-Dyke
1996 Good Citizen: Betty Baker
1998 Homogeneity
2000 Calamity
2002 Lesbian National Parks and Services: A Force of Nature
2009 Lesbian National Parks and Services Presents: Endangered Species
2014 Vigilance
Writer:
1990 We're Talking Vulva
1990 What Does a Lesbian Look Like?
1992 Medusa Raw
1993 Object/Subject of Desire
1995 A Day in the Life of a Bull-Dyke
1996 Good Citizen: Betty Baker
1998 Homogeneity
2000 Calamity
2002 Lesbian National Parks and Services: A Force of Nature
2009 Lesbian National Parks and Services Presents: Endangered Species
2014 Vigilance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.