A work in constant progress (and occasional regress).
Director of Photography:
2018 From Life
2019 Janitor of Lunacy
2019 Pxssy Palace
2019 Room for Two
2019 The Best Is Yet to Come
2019 The Mermaid of Mevagissey
2019 We Do What We Can
2020 Meow or Never
2020 Motherhood
2020 Survivor's Guilt
2020 The Four Temperaments
2021 Death and Dog Walking
2021 Teju's Tale
2022 Butterfly Affect
2022 Medea
2023 Essex Girls
???? Bad Coffee
???? The Temple of Sleepy Chan
First Assistant Camera:
2018 From Life
2018 The Surrogate of Infidelity
2019 Janitor of Lunacy
2019 Pxssy Palace
2019 Room for Two
2019 The Best Is Yet to Come
2019 The Mermaid of Mevagissey
2019 We Do What We Can
2020 Meow or Never
2020 Motherhood
2020 Survivor's Guilt
2020 The Four Temperaments
2021 Death and Dog Walking
2021 Teju's Tale
2022 Butterfly Affect
2022 Medea
2023 Essex Girls
???? Bad Coffee
???? The Temple of Sleepy Chan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.