A work in constant progress (and occasional regress).
Alias:
Lucile Hadžihalilović
Birthplace:
Lyon, France
Born:
May 7, 1961
Lucile Emina Hadžihalilović is a French writer and director associated with the “New French Extremity” movement. She work for several years as an editor, often collaborating with director Gaspar Noé, who is her husband. In 2004 she became the first woman to win the Stockholm International Film Festival’s annual Bronze Horse award for best film.
Director:
1987 La Première Mort de Nono
1997 Jean-Pierre's Mouth
2005 Innocence
2014 Nectar
2015 Limbo Visions 1
2016 Evolution
2018 Nature
2022 Earwig
2025 The Ice Tower
Editor:
1987 La Première Mort de Nono
1991 Carne
1997 Jean-Pierre's Mouth
1997 Marquis de Slime
1998 I Stand Alone
2005 Innocence
2014 Nectar
2015 Limbo Visions 1
2016 Evolution
2018 Nature
2020 Saint Laurent - Summer of '21
2022 Earwig
2025 The Ice Tower
Producer:
1987 La Première Mort de Nono
1991 Carne
1997 Jean-Pierre's Mouth
1997 Marquis de Slime
1998 I Stand Alone
2005 Innocence
2014 Nectar
2015 Limbo Visions 1
2016 Evolution
2018 Nature
2020 Lux Æterna
2020 Saint Laurent - Summer of '21
2022 Earwig
2025 The Ice Tower
Screenplay:
1987 La Première Mort de Nono
1991 Carne
1997 Jean-Pierre's Mouth
1997 Marquis de Slime
1998 I Stand Alone
2005 Innocence
2014 Nectar
2015 Limbo Visions 1
2016 Evolution
2018 Nature
2020 Lux Æterna
2020 Saint Laurent - Summer of '21
2022 Earwig
2025 The Ice Tower
Writer:
1987 La Première Mort de Nono
1991 Carne
1997 Jean-Pierre's Mouth
1997 Marquis de Slime
1998 I Stand Alone
2005 Innocence
2014 Nectar
2015 Limbo Visions 1
2016 Evolution
2018 Nature
2020 Lux Æterna
2020 Saint Laurent - Summer of '21
2022 Earwig
2025 The Ice Tower
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.