Sami van Ingen

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Sami van Ingen is one of the pioneers of experimental filmmaking in Finland. He has made over 30 short films, mostly dealing subtly with the act of seeing and using various strategies to manipulate found or forgotten footage. His films have been screened at festivals like Edinburgh Film Festival, Image Forum Tokyo, Kurzfilmtage Oberhausen, Bienal de la Imagen en Movimiento in Buenos Aires and in institutions like National Gallery of Art in Washington, Centre Pompidou in Paris and Anthology Film Archives in New York.

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Director:
1986  Butter
1991  Hammu
1991  Moving Emu
1991  Summer-Winter-Summer
1993  Finnmunka
1995  Sweep
1996  Texas Scramble
2002  Study Reel
2004  Fokus
2006  The Sequent of Hanna Ave.
2007  Deep Six
2008  Exactly
2010  Stagecoach
2012  HATE
2016  Manifest Destiny
2018  Flame
2019  Pins
2023  Monica in the South Seas

Editor:
1986  Butter
1991  Hammu
1991  Moving Emu
1991  Summer-Winter-Summer
1993  Finnmunka
1995  Sweep
1996  Texas Scramble
2002  Study Reel
2004  Fokus
2006  The Sequent of Hanna Ave.
2007  Deep Six
2008  Exactly
2010  Stagecoach
2012  HATE
2016  Manifest Destiny
2018  Flame
2019  Pins
2023  Monica in the South Seas

Screenplay:
1986  Butter
1991  Hammu
1991  Moving Emu
1991  Summer-Winter-Summer
1993  Finnmunka
1995  Sweep
1996  Texas Scramble
2002  Study Reel
2004  Fokus
2006  The Sequent of Hanna Ave.
2007  Deep Six
2008  Exactly
2010  Stagecoach
2012  HATE
2016  Manifest Destiny
2018  Flame
2019  Pins
2023  Monica in the South Seas

Writer:
1986  Butter
1991  Hammu
1991  Moving Emu
1991  Summer-Winter-Summer
1993  Finnmunka
1995  Sweep
1996  Texas Scramble
2002  Study Reel
2004  Fokus
2006  The Sequent of Hanna Ave.
2007  Deep Six
2008  Exactly
2010  Stagecoach
2012  HATE
2016  Manifest Destiny
2018  Flame
2019  Pins
2023  Monica in the South Seas

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.