A work in constant progress (and occasional regress).
Sami van Ingen is one of the pioneers of experimental filmmaking in Finland. He has made over 30 short films, mostly dealing subtly with the act of seeing and using various strategies to manipulate found or forgotten footage. His films have been screened at festivals like Edinburgh Film Festival, Image Forum Tokyo, Kurzfilmtage Oberhausen, Bienal de la Imagen en Movimiento in Buenos Aires and in institutions like National Gallery of Art in Washington, Centre Pompidou in Paris and Anthology Film Archives in New York.
Director:
1986 Butter
1991 Hammu
1991 Moving Emu
1991 Summer-Winter-Summer
1993 Finnmunka
1995 Sweep
1996 Texas Scramble
2002 Study Reel
2004 Fokus
2006 The Sequent of Hanna Ave.
2007 Deep Six
2008 Exactly
2010 Stagecoach
2012 HATE
2016 Manifest Destiny
2018 Flame
2019 Pins
2023 Monica in the South Seas
Editor:
1986 Butter
1991 Hammu
1991 Moving Emu
1991 Summer-Winter-Summer
1993 Finnmunka
1995 Sweep
1996 Texas Scramble
2002 Study Reel
2004 Fokus
2006 The Sequent of Hanna Ave.
2007 Deep Six
2008 Exactly
2010 Stagecoach
2012 HATE
2016 Manifest Destiny
2018 Flame
2019 Pins
2023 Monica in the South Seas
Screenplay:
1986 Butter
1991 Hammu
1991 Moving Emu
1991 Summer-Winter-Summer
1993 Finnmunka
1995 Sweep
1996 Texas Scramble
2002 Study Reel
2004 Fokus
2006 The Sequent of Hanna Ave.
2007 Deep Six
2008 Exactly
2010 Stagecoach
2012 HATE
2016 Manifest Destiny
2018 Flame
2019 Pins
2023 Monica in the South Seas
Writer:
1986 Butter
1991 Hammu
1991 Moving Emu
1991 Summer-Winter-Summer
1993 Finnmunka
1995 Sweep
1996 Texas Scramble
2002 Study Reel
2004 Fokus
2006 The Sequent of Hanna Ave.
2007 Deep Six
2008 Exactly
2010 Stagecoach
2012 HATE
2016 Manifest Destiny
2018 Flame
2019 Pins
2023 Monica in the South Seas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.