A work in constant progress (and occasional regress).
Birthplace:
Eskişehir, Turkey
Born:
February 11, 1979
Serpil Altın was born in Eskişehir. In 2002, she graduated from Anadolu University, Faculty of Communication Sciences, Department of Cinema-TV. After graduation, she began her career as an assistant director and producer and worked in many national and international production. Her short films "The Holiday Gift (2014)" and "Learning How to Swim (2017)" have been screened and awarded prizes at many national and international film festivals. In 2016, she founded her company which is named Serpil Altın Film. Her first feature film which is in the genre of science fiction and drama is "Once Upon a time in the Future: 2121 (2022)" She is also a member of EWA (European Women's Audiovisual Network). She continues her career as a producer, director, and screenwriter.
Co-Producer:
2024 My Dreams and My Struggle
Director:
2013 The Holiday Gift
2017 Learning How to Swim
2024 2121
2024 My Dreams and My Struggle
Editor:
2013 The Holiday Gift
2017 Learning How to Swim
2024 2121
2024 My Dreams and My Struggle
Executive Producer:
2013 The Holiday Gift
2017 Learning How to Swim
2021 Dostlar
2024 2121
2024 My Dreams and My Struggle
Producer:
2013 The Holiday Gift
2016 Kızkaçıran
2017 Learning How to Swim
2021 Dostlar
2024 2121
2024 My Dreams and My Struggle
???? Geleceği Yönetmek
Story:
2013 The Holiday Gift
2016 Kızkaçıran
2017 Learning How to Swim
2021 Dostlar
2024 2121
2024 My Dreams and My Struggle
???? Geleceği Yönetmek
Writer:
2013 The Holiday Gift
2016 Kızkaçıran
2017 Learning How to Swim
2021 Dostlar
2024 2121
2024 My Dreams and My Struggle
???? Geleceği Yönetmek
Assistant Director:
2003 Hadi Uç Bakalım
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.