A work in constant progress (and occasional regress).
Alias:
末岡一郎
이치로 수에오카
Birthplace:
Sapporo, Japan
Born in Sapporo, in 1965. Studied at Tokyo Science University in chemistry dept. Began making film works since 1985. Many of the 90 films were produced on Super-8 and 16mm film. Now living as a film maker in Tokyo and co-founder of the "Film-Makers' Information Center (FMIC)" experimental film/video group, which has curated and presented the several screening events of the independent film-maker's works in Japan since 2002 to 2006. Currently teaching film-making at Asagaya College of Art & Design and also teaching hand-developing workshops at other art school or art gallery.
Director:
1986 Amber
1992 The Door of Absence
1994 The Drooping Roses
1996 Fishing Miserere
1997 Drop Frame
1998 Liber Zuviel Als Zuwenig
1998 The Rainbow of Odds
1999 Aziz Shakhar, Looking for a Job
1999 Possession, Négation
2000 A Flick Film in which there appear Liz and Franky, is composed under the score of Arnulf Rainer by P. Kubelka on NTSC
2002 A Film in Which There Did NOT Appear Sprocket Holes, Edge Lettering Without Dirt Particles
2003 Berlin in the Winter
2003 I Am Lost to the World
2003 Studies for SERENE VELOCITY
2004 An Ambiguous Funeral
2004 Finally, Spring Has Come
2004 Shot Countershot
2004 T:O:U:C:H::O:F::E:V:I:L
2005 A Summer in Germany
2005 Sinking Away
2008 Portland, Oregon 1931
2009 Marching On
2010 Vladimír Kempský's Film
2011 Extreme Skiing in 1930
2012 An Uncertain Gleam
2012 DOK
2012 SIN
2016 Color Film
2016 Kinophotoplen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.