A work in constant progress (and occasional regress).
Reena Mohan is an independent documentary editor and filmmaker. She graduated from the Film & Television Institute of India in 1982 with a specialisation in editing. She produced and directed her first award winning documentary Kamlabai in 1991.
Director:
1992 Kamlabai
2001 Skin Deep
Editor:
1985 Mind of Clay
1991 Memories of Milk City: Sketches for a Film on Ahmedabad
1992 Kamlabai
1994 The Legacy of Malthus
1997 For Maya
2000 Mask of Desire
2001 Skin Deep
2009 The Other Song
2011 Ekaa Ekaa
2015 The Factory
2019 CORAL WOMAN
2021 Tales from the Planet Kolkata
Producer:
1985 Mind of Clay
1991 Memories of Milk City: Sketches for a Film on Ahmedabad
1992 Kamlabai
1994 The Legacy of Malthus
1997 For Maya
2000 Mask of Desire
2001 Skin Deep
2009 The Other Song
2011 Ekaa Ekaa
2015 The Factory
2019 CORAL WOMAN
2021 Tales from the Planet Kolkata
Production Director:
1985 Mind of Clay
1991 Memories of Milk City: Sketches for a Film on Ahmedabad
1992 Kamlabai
1994 The Legacy of Malthus
1997 For Maya
2000 Mask of Desire
2001 Skin Deep
2009 The Other Song
2011 Ekaa Ekaa
2015 The Factory
2019 CORAL WOMAN
2021 Tales from the Planet Kolkata
Script:
1985 Mind of Clay
1991 Memories of Milk City: Sketches for a Film on Ahmedabad
1992 Kamlabai
1994 The Legacy of Malthus
1997 For Maya
2000 Mask of Desire
2001 Skin Deep
2009 The Other Song
2011 Ekaa Ekaa
2015 The Factory
2019 CORAL WOMAN
2021 Tales from the Planet Kolkata
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.