A work in constant progress (and occasional regress).
Allon Reich is a producer who has worked alongside Andrew Macdonald at DNA Films since 2002. Together, they have produced a range of acclaimed films, including The Last King of Scotland, The History Boys, Notes on a Scandal, 28 Weeks Later, Never Let Me Go, Dredd, Sunshine on Leith, Far from the Madding Crowd, and Alex Garland’s award-winning Ex Machina. Before joining DNA, Reich served as Head of Film UK at Miramax, where he executive produced notable titles such as Shekhar Kapur’s The Four Feathers and Stephen Frears’ Dirty Pretty Things. Earlier in his career, he contributed to numerous celebrated projects at Film Four, including Four Weddings and a Funeral, Shallow Grave, The Madness of King George, Brassed Off, and Trainspotting.
Associate Producer:
1999 Mansfield Park
Executive Producer:
1999 Mansfield Park
2002 Dirty Pretty Things
2002 The Four Feathers
2003 Heartlands
2006 The History Boys
2006 The Last King of Scotland
2017 T2 Trainspotting
Producer:
1999 Mansfield Park
2002 Dirty Pretty Things
2002 The Four Feathers
2003 Heartlands
2006 The History Boys
2006 The Last King of Scotland
2007 28 Weeks Later
2010 Never Let Me Go
2012 Dredd
2013 Sunshine on Leith
2014 Ex Machina
2015 Far from the Madding Crowd
2017 T2 Trainspotting
2018 Annihilation
2021 Sir Alex Ferguson: Never Give In
2022 Men
2024 Civil War
2025 Warfare
???? Elden Ring
???? The Toymaker's Secret
Co-Executive Producer:
2024 Shōgun
Executive Producer:
2020 Black Narcissus
2020 Devs
2024 Shōgun
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.