A work in constant progress (and occasional regress).
Birthplace:
Quincy, Illinois, U.S.
Brooke Trantor was born and raised in the small town of Quincy, IL. She moved to Los Angeles after receiving her BFA in Acting from Illinois Wesleyan University, and studying Shakespeare at The British American Drama Academy in London. While Brooke found her love for Shakespeare in London, her true passion lies in the improv and comedy world. She has studied and performed at Second City, UCB, Groundlings, and iO West. Some of her recent acting credits include NBC's "The Enemy Within", TNT's "Cocaine Cowboys Pilot", a lead in the comedy feature film "Misfits", and being in absolute awe acting alongside Shirley MacLaine in "The Last Word". Brooke began her filmmaking journey in 2014, and has found such joy in the collaborative world of independent film. "Night Four" (Co-Written & starring Elizabeth Gwynne Wilson, Directed by Chris Dougherty) toured the world through the festival circuit, including screening at the esteemed Outfest at the DGA in Los Angeles. "Yours are Mine" (Director / Actor / Producer / Writer) also went around the globe on the festival circuit and procured several awards including Best Director, Best Actress, and the Powerful Voice Award at Blackbird Film Festival 2019. Her comedy series "Botanical Baes" was featured in The LA Times, and depicts the comedic lunacy of her own plant addiction through the Plant Mom characters Stacey and Canyon (Co-created by Erin McDonnell). Her latest film, "Oh, Baby!" (Co-Written by Kate Morgan Chadwick) premiered at the Academy Award-qualifying Florida Film Festival, iNDIE Film Festival (Winner, Best Comedy), Blackbird Film Festival 2020 (Winner, Audience Choice), and won Best Short Film: Audience Award 2021 at the esteemed Dances With Films LA & Best Director at Broad Humor Film Festival (2023). Brooke is drawn to scripts that tend to live in the dramedy world. Her work focuses on finding the comedy in life’s seemingly dark moments. She is currently in development on a single-camera comedy "Wild Woman", a series spin off of "Oh, Baby!", a comedy-horror feature, and in post-production on several short films. (Written December 2024)
Director:
2020 Yours Are Mine
2023 Oh, Baby!
2024 Ashes, Ashes, We All Fall Down
2024 Move On, Arnold!
???? Nut Milk in May
???? Shadow Work
Executive Producer:
2016 Night Four
2020 Yours Are Mine
2023 Oh, Baby!
2024 Ashes, Ashes, We All Fall Down
2024 Move On, Arnold!
???? Nut Milk in May
???? Shadow Work
Producer:
2016 Night Four
2020 Yours Are Mine
2023 Oh, Baby!
2024 Ashes, Ashes, We All Fall Down
2024 Move On, Arnold!
???? Nut Milk in May
???? Shadow Work
Writer:
2016 Night Four
2018 We're Working On It
2020 Yours Are Mine
2023 Oh, Baby!
2024 Ashes, Ashes, We All Fall Down
2024 Move On, Arnold!
???? Nut Milk in May
???? Shadow Work
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.