Home

Kimberly Patrick

Gallery Unavailable

Alias:
Kim Patrick

Biography from TheMovieDB

Kimberly Patrick is a sound editor, sound designer, and foley artist for film and television. She grew up in Bowie, Maryland, a suburb east of Washington, D.C. She has a B.A. in music from the University of Maryland, Baltimore County, and an M.F.A. in film and television production from USC.   She started as an intern at Skywalker Sound in 2012 and has since worked as an assistant sound editor, foley artist, foley editor, sound effects editor, supervising sound editor, and re-recording mixer on a variety of films and TV series. She has had the privilege to work on films such as Star Wars: The Force Awakens, Captain Marvel, Making Waves: The Art of Cinematic Sound, Toy Story 4, Soul, and series such as Star Wars: The Clone Wars and The Falcon and the Winter Soldier.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

ADR Supervisor:
2019  Toy Story 4

Foley Artist:
2018  Vice
2019  The Wolf's Call
2019  Toy Story 4
2021  Licorice Pizza
2021  Sing 2

Foley Editor:
2015  The Peanuts Movie
2016  Allegiant
2016  Transpecos
2017  Phantom Thread
2018  A Wrinkle in Time
2018  Avengers: Infinity War
2018  Vice
2019  The Wolf's Call
2019  Toy Story 4
2020  Come Away
2021  Licorice Pizza
2021  Sing 2
2022  Spiderhead

Foley Supervisor:
2015  The Peanuts Movie
2016  Allegiant
2016  The Great Wall
2016  Transpecos
2017  Phantom Thread
2018  A Wrinkle in Time
2018  Avengers: Infinity War
2018  Vice
2019  The Wolf's Call
2019  Toy Story 4
2020  Come Away
2021  Licorice Pizza
2021  Sing 2
2022  Spiderhead

Sound Designer:
2015  Dog Bowl
2015  The Peanuts Movie
2016  Allegiant
2016  The Great Wall
2016  Transpecos
2017  Phantom Thread
2018  A Wrinkle in Time
2018  Avengers: Infinity War
2018  Vice
2019  The Wolf's Call
2019  Toy Story 4
2020  Come Away
2021  Licorice Pizza
2021  Sing 2
2022  Spiderhead
2023  Ant-Man and the Wasp: Quantumania
2025  Plainclothes

Sound Effects Editor:
2015  Dog Bowl
2015  The Peanuts Movie
2016  Allegiant
2016  The Great Wall
2016  Transpecos
2017  Phantom Thread
2018  A Wrinkle in Time
2018  Avengers: Infinity War
2018  Vice
2019  Captain Marvel
2019  The Wolf's Call
2019  Toy Story 4
2020  Come Away
2020  Onward
2020  Soul
2021  Licorice Pizza
2021  Sing 2
2022  Spiderhead
2023  Ant-Man and the Wasp: Quantumania
2023  Elemental
2025  Plainclothes

Sound Recordist:
2015  Dog Bowl
2015  The Peanuts Movie
2016  20 Years Of Madness
2016  Allegiant
2016  The Great Wall
2016  Transpecos
2017  Phantom Thread
2018  A Wrinkle in Time
2018  Avengers: Infinity War
2018  Vice
2019  Captain Marvel
2019  The Wolf's Call
2019  Toy Story 4
2020  Come Away
2020  Onward
2020  Soul
2021  Licorice Pizza
2021  Sing 2
2022  Spiderhead
2023  Ant-Man and the Wasp: Quantumania
2023  Elemental
2025  Plainclothes

Supervising Sound Editor:
2015  Dog Bowl
2015  The Peanuts Movie
2016  20 Years Of Madness
2016  Allegiant
2016  The Great Wall
2016  Transpecos
2017  Phantom Thread
2018  A Wrinkle in Time
2018  Avengers: Infinity War
2018  Vice
2019  Captain Marvel
2019  Making Waves: The Art of Cinematic Sound
2019  The Wolf's Call
2019  Toy Story 4
2020  Come Away
2020  Onward
2020  Soul
2021  Licorice Pizza
2021  Sing 2
2022  Spiderhead
2023  Ant-Man and the Wasp: Quantumania
2023  Elemental
2025  Plainclothes

Click the heading above to show or hide the list.

TV Production

Sound Designer:
2021  The Falcon and the Winter Soldier
2022  Moon Knight
2024  The Acolyte
????  Wonder Man

Sound Effects Editor:
2021  The Falcon and the Winter Soldier
2022  Moon Knight
2024  The Acolyte
????  Wonder Man

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.