A work in constant progress (and occasional regress).
Alias:
Guy Docker
Guy was born in suburban London in 1972, where he attended a local comprehensive. After reading English including Medieval studies at Exeter University he went into the film industry as a runner. After a year and a half he realised that running was a good way of getting nowhere fast. He made the 12 minute short film "The Typewriter" on a total budget of £12, which was enough to earn him a place at film school in Bristol. At Bristol he met Dan Rack, who has worked on all of his subsequent films as Cameraman. The Bristol course was general, but intensive. Here Guy wrote and directed some projects and edited others. He left film school with a basic knowledge of Avid editing, which proved enough to launch him straight into being a First Assistant Editor on a feature film, such knowledge being scarce at the time. Since then he worked in that capacity and occasionally as Post-Production Supervisor on more than a dozen features, ranging from BAFTA winning art movies like "The Warrior" to Hollywood studio productions such as "Calendar Girls" giving him insight into the workings of a broad range of different styles of filmmaking. Meanwhile Guy was making contacts and raising money to make further short films. These shorts included "Delusion" and, most recently, "Telling Mark" which has screened at international film festivals and been sold to HBO. His time spent in feature film cutting rooms paid off on these projects, allowing him to shoot with economy and confidence material that actually cuts together. This time also gave him access to established Producers and Directors who were generous with their help and advice, and sometimes even cash. In between short film projects Guy devoted his time to the infinitely cheaper art of script-writing. Four spec feature scripts, "Breakdown", "The Book of Dreams", "The Bridge" and "Panoptes", and a prize winning short script have led to work writing on commission.
Assistant Editor:
2003 Calendar Girls
2004 Funky Monkey
2010 Bonded by Blood
Director:
2003 Calendar Girls
2004 Funky Monkey
2007 Missed
2010 Bonded by Blood
Editor:
2003 Calendar Girls
2004 Funky Monkey
2007 Missed
2008 In Your Absence
2009 Breach
2010 Bonded by Blood
2014 Children of the Night
2014 We Still Kill the Old Way
2015 They Returned
2017 The Tutor
2017 We Still Steal the Old Way
2018 Tango One
2019 Crosseyed
2019 Tonight the World
2021 Dark Corners
2021 Me, Myself & Di
2022 A Midsummer Night's Dream
Writer:
2003 Calendar Girls
2004 Funky Monkey
2007 Missed
2008 In Your Absence
2009 Breach
2010 Bonded by Blood
2014 Children of the Night
2014 We Still Kill the Old Way
2015 They Returned
2017 The Tutor
2017 We Still Steal the Old Way
2018 Tango One
2019 Crosseyed
2019 Tonight the World
2021 Dark Corners
2021 Me, Myself & Di
2022 A Midsummer Night's Dream
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.